Cinephilia & Beyond cinephiliabeyond.org

Hitchcock’s ‘Vertigo’: The Unrelenting Male Gaze that Blurs the Lines Between Possession and Obsession • Cinephilia & Beyond

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The Sheep That Got Found: ‘Man on Fire’ • Cinephilia & Beyond

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Cleansing of the Soul for a Clean Slate: Guillermo del Toro’s ‘The Devil’s Backbone’ at 25 • Cinephilia & Beyond

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‘The Past, Present and Future of Humanity’: John Boorman’s ‘Excalibur’ at 45 • Cinephilia & Beyond

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‘12 Angry Men’ at 69: The Everlasting Testament to Sidney Lumet and Reginald Rose’s Filmmaking Prowess • Cinephilia & Beyond

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‘All the President’s Men’ at 50: Following the Money to Become One of the Most Remarkable American Films to Date • Cinephilia & Beyond

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‘Thief’ at 45: How Michael Mann’s Cinema Debut Stole the World’s Attention • Cinephilia & Beyond

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John Ford’s ‘The Searchers’ at 70: The Essential Film of American Culture and Identity • Cinephilia & Beyond

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‘The Killing of a Chinese Bookie’: Turning Entertainment into Personal Statement—Revisiting a Masterpiece on Its 50th Anniversary • Cinephilia & Beyond

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Approaching Menace: The American Pathology of Martin Scorsese’s ‘Taxi Driver’—Revisiting a Masterpiece on Its 50th Anniversary • Cinephilia & Beyond

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‘I Am Insane, and You Are My Insanity’: Celebrating the 30th Anniversary of Terry Gilliam’s Captivating World of ‘12 Monkeys’ • Cinephilia & Beyond

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Rats in the Attic: William Friedkin’s ‘The Exorcist’—Revisiting a Masterpiece on its 52nd Anniversary • Cinephilia & Beyond

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‘Catch Me If You Can’: Steven Spielberg’s Underrated Crime Comedy Is a Touching Drama About Identity, (Self-)Deception and Broken Families at Its Core • Cinephilia & Beyond

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With ‘Barry Lyndon,’ Stanley Kubrick’s Painterly Eye Invites Us to Be All-seeing, but Ultimately, Unknowing—Revisiting a Masterpiece on Its 50th Anniversary • Cinephilia & Beyond

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Empire’s End: John Huston’s ‘The Man Who Would Be King’—Revisiting a Masterpiece on Its 50th Anniversary

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‘Heat’ at 30: Michael Mann’s Meticulous Masterpiece of Both Style and Substance That Transcends Genre

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‘The Wicker Man’ at 52: The True Nature of Sacrifice

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‘Network’: Sidney Lumet and Paddy Chayefsky’s Gruesome Prophecy Turned Reality—Revisiting a Masterpiece on Its 49th Anniversary

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‘Out of the Past’ at 78: The Quintessential Film Noir that Launched Robert Mitchum and Kirk Douglas’ Careers

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Paradise Lost: How Martin Scorsese’s ‘Casino’ Charts the Rise and Fall of a Criminal Empire—Revisiting a Masterpiece on Its 30th Anniversary

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