With ‘Barry Lyndon,’ Stanley Kubrick’s Painterly Eye Invites Us to Be All-seeing, but Ultimately, Unknowing—Revisiting a Masterpiece on Its 50th Anniversary • Cinephilia & Beyond

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Empire’s End: John Huston’s ‘The Man Who Would Be King’—Revisiting a Masterpiece on Its 50th Anniversary

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‘Heat’ at 30: Michael Mann’s Meticulous Masterpiece of Both Style and Substance That Transcends Genre

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‘The Wicker Man’ at 52: The True Nature of Sacrifice

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‘Network’: Sidney Lumet and Paddy Chayefsky’s Gruesome Prophecy Turned Reality—Revisiting a Masterpiece on Its 49th Anniversary

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‘Out of the Past’ at 78: The Quintessential Film Noir that Launched Robert Mitchum and Kirk Douglas’ Careers

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Paradise Lost: How Martin Scorsese’s ‘Casino’ Charts the Rise and Fall of a Criminal Empire—Revisiting a Masterpiece on Its 30th Anniversary

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‘Frankenstein’: James Whale’s Macabre Take on One of the Most Sympathetic Characters Ever Created in the World of English Letters

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‘One Flew Over the Cuckoo’s Nest’ at 50: Miloš Forman’s Mosaic of Brilliance With a Lesson Still As Important As Ever

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Subject to the Requirements of the Service: Peter Weir’s ‘Master and Commander: The Far Side of the World’ at 22

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‘To Live and Die in L.A.’ at 40: How Friedkin Made One of the Best Films of the Eighties

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‘Wait Until Dark’: Terence Young’s Terrifyingly Effective Suspense Thriller with Brilliant Audrey Hepburn and Alan Arkin

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Play for Play: How The Color of Money’s ‘One For Them’ Assignment Reignited Martin Scorsese’s Hunger for the Work

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‘Fight Club’ at 26: David Fincher’s Stylish Exploration of Modern-Day Man’s Estrangement and Disillusionment

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Original Cadence: A Conversation with Diane Keaton

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William Friedkin’s ‘The French Connection’ at 54: The Seventies’ Peak of Cinematic Excitement

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“Bide Your Time and Everything Becomes Clear”: The Construction of Memory in Soderbergh’s ‘The Limey’

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‘Gravity’ at 12: The Pain of Isolation and the Importance of Connection in the Face of Adversity

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‘A History of Violence’ at 20: David Cronenberg’s Superb Study of the Basic Impulses that Drive Humanity

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‘After Hours’ at 40: Celebrating Scorsese’s Kafka-Inspired New York Odyssey

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