Cinephilia & Beyond cinephiliabeyond.org

‘Frankenstein’: James Whale’s Macabre Take on One of the Most Sympathetic Characters Ever Created in the World of English Letters

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‘One Flew Over the Cuckoo’s Nest’ at 50: Miloš Forman’s Mosaic of Brilliance With a Lesson Still As Important As Ever

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Subject to the Requirements of the Service: Peter Weir’s ‘Master and Commander: The Far Side of the World’ at 22

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‘To Live and Die in L.A.’ at 40: How Friedkin Made One of the Best Films of the Eighties

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‘Wait Until Dark’: Terence Young’s Terrifyingly Effective Suspense Thriller with Brilliant Audrey Hepburn and Alan Arkin

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Play for Play: How The Color of Money’s ‘One For Them’ Assignment Reignited Martin Scorsese’s Hunger for the Work

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‘Fight Club’ at 26: David Fincher’s Stylish Exploration of Modern-Day Man’s Estrangement and Disillusionment

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Original Cadence: A Conversation with Diane Keaton

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William Friedkin’s ‘The French Connection’ at 54: The Seventies’ Peak of Cinematic Excitement

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“Bide Your Time and Everything Becomes Clear”: The Construction of Memory in Soderbergh’s ‘The Limey’

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‘Gravity’ at 12: The Pain of Isolation and the Importance of Connection in the Face of Adversity

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‘A History of Violence’ at 20: David Cronenberg’s Superb Study of the Basic Impulses that Drive Humanity

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‘After Hours’ at 40: Celebrating Scorsese’s Kafka-Inspired New York Odyssey

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‘Saving Private Ryan’: Spielberg’s Groundbreaking WWII Gem That Redefined the War Film Genre

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‘Pulp Fiction’: How Quentin Tarantino Made a Postmodern Masterpiece

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‘The Last Temptation of Christ’ As a Testament to and an Exploration of Scorsese’s Own Faith

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‘American Graffiti’ at 52: A Sentimentally Affectionate Look at America Before the Collective Loss of Innocence

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‘Sunset Boulevard’ at 75: Billy Wilder and Charles Brackett’s Sobering Exposure of the Dark Side of Hollywood

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‘The Abyss’ at 36: James Cameron’s Exploration of Humanity and Love in the Heart of the Ocean

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Australian Gothic: Peter Weir’s ‘Picnic at Hanging Rock’ at 50

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