Cinephilia & Beyond cinephiliabeyond.org

‘The Truman Show’ at 27: Weir and Niccol’s Uplifting Yet Prophetically Disturbing Dystopian Satire

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Peter Weir’s ‘Dead Poets Society’ at 36: An Awe-Inspiring Celebration of the Human Spirit

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We Can Mis-Remember it 80s-Style: ‘Total Recall’ Was the Last Gasp 80s Ultraviolent Action Extravaganza for a New Decade

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‘Monty Python and the Holy Grail’ at 50: The Peak of British Comedy

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NOC NOC: How ‘Mission: Impossible’ Lit the Fuse of Action Stardom Within Tom Cruise

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‘L’Avventura’: Michelangelo Antonioni’s Visual Poetry and Its Impact on the World of Film

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Neil Marshall’s ‘Dog Soldiers’: A Force to Be Reckoned With

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Hitchcock’s ‘Vertigo’: The Unrelenting Male Gaze that Blurs the Lines Between Possession and Obsession

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David Lean’s ‘Nostromo’: The Old Man and the Untold Tale of the Seaboard

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‘Citizen Kane’: The Astonishing Debut of Hollywood’s Greatest Wunderkind

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James Mangold’s ‘Identity’: The Devil in the Details

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Cleansing of the Soul for a Clean Slate: Guillermo del Toro’s ‘The Devil’s Backbone’

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‘12 Angry Men’ at 68: The Everlasting Testament to Sidney Lumet and Reginald Rose’s Filmmaking Prowess

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‘The Conversation’: Francis Ford Coppola’s Paranoia-Ridden Tale of Surveillance, Guilt and Isolation

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‘Touch of Evil’ at 67: Orson Welles’ Grandiose Film Noir that Took Four Decades to Shine In Its Intended Form

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