Cinephilia & Beyond cinephiliabeyond.org

L.A. Breakdown, a Hitman In Crisis: Michael Mann’s ‘Collateral’ at 21

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Take It to the Limit One More Time: Michael Mann’s ‘Miami Vice’ at 19

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‘The Night of the Hunter’ at 70: The Extraordinary Single Directorial Entry in Charles Laughton’s Career

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So You Want to Start a Boutique Blu-ray Label?

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‘Midnight Run’ at 37: Martin Brest’s Cult-Action Comedy that Just Doesn’t Seem to Get Old

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Trickle Down Robonomics—The Predatory Capitalism of ‘RoboCop’

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‘Easy Rider’ at 56: A Revolutionary Road-Trip Film that Heralded a New Era of Filmmaking

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Filming the Unfilmable and Achieving the Unimaginable: How Kubrick’s ‘Lolita’ Eventually Won Critics Over and Established Itself as an Acclaimed Sardonic Black ...

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Moonbase Alpha, Moonbase Beta: Sam Rockwell Is the Secret VFX at the Heart of Duncan Jones’ ‘Moon’

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Run Through the Jungian: Stanley Kubrick’s ‘Full Metal Jacket’, a Phenomenological Treatise on War

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Neil Marshall’s ‘The Descent’ at 20: Humans Are the Scariest Things

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‘Double Indemnity’ at 81: A Mesmerizing Film Noir Conceived Out of a Troubled Relationship of Two Greats

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‘Sweet Smell of Success’: A Visceral and Vicious Depiction of the Evil that Power-Hungry Men Do

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‘The Friends of Eddie Coyle’ at 52: Peter Yates’ Crime Masterpiece that Chose to Rely on a Completely Different Kind of Spectacle

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Unveiling Ridley Scott’s Cinematic Grail: ‘The Illustrated Blade Runner’

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How Robert Altman’s Anti-Western Classic ‘McCabe & Mrs. Miller’ Aged Like Fine Wine

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How Tim Burton’s Version of the Caped Crusader Put the Dark in Dark Knight and Gave Wings to the Superhero Movie Genre

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‘Jaws’ at 50: The Groundbreaking Summer Blockbuster that Changed Hollywood, and Our Summer Vacations, Forever

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‘Psycho’ at 65: The Proto-Slasher that Brought On a Revolution in Cinema

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‘Predator’ at 38: John McTiernan’s First Studio Gig that Became an Epic Action Classic

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