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Interview: Frederike Migom • Director of Everyone’s Sorry Nowadays - “Being a kid isn’t so different from being an adult” - Berlinale 2026

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Review: The Loneliest Man in Town - Berlinale 2026

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Review: Wax & Gold - Berlinale 2026

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Real Palestinian stories rise above the noise at the Berlinale

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Review: Enough Is Enough - Berlinale 2026

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Review: I Understand Your Displeasure - Berlinale 2026

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Serbian filmmakers call out “state-sponsored censorship” in open letter - Industry / Market

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The EFM’s Bridging Visions forum spotlights new storytelling formats and European-Asian co-production pathways

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Interview: Mahamat-Saleh Haroun • Director of Soumsoum, the Night of the Stars - "When everything’s standardised, what matters are voices, music that’s differen...

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Interview: Mahnaz Mohammadi • Director of Roya - “The film's structure imitates unconsciousness: the images and sounds don’t always match up”

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Review: Soumsoum, the Night of the Stars - Berlinale 2026

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Silence, censorship and Gaza generate a storm over the Berlinale

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Interview: Manon Coubia • Director of Forest High - “It all began with a place I felt compelled to tell the story of” - Berlinale 2026

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Review: Roya - Berlinale 2026

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Marketing That Works: How young audiences are reshaping theatrical and streaming strategies

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Review: Prosecution - Berlinale 2026

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Review: Four Minus Three - Berlinale 2026

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FilmNomad presents three Mongolian projects at Berlinale Talents

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Review: Paradise - Berlinale 2026

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CineRegio members backed 48 titles selected at the Berlinale

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