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Interview: Anna Roller • Director of Allegro Pastell - “It always starts with female characters that make decisions which are initially hard to understand”

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Interview: Grace Passô • Director of Our Secret - "When a living human body arrives in a living, physical space, the script becomes something to refer to, not t...

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Interview: Teodora Ana Mihai • Director of Heysel 85 - "The film is also strikingly contemporary in its themes, almost to a frightening degree"

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The 2026 European Film Market wraps, sees growth across attendance and programme

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Cannes' Marché du Film and Cine Group launch the Cinemas Club to unite French and international exhibition professionals - Cannes 2026

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REPORT: Berlinale Series Market Selects @ EFM

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Review: Home Stories - Berlinale 2026

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Review: Allegro Pastell - Berlinale 2026

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Review: Our Secret - Berlinale 2026

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Interview: Carlo d’Ursi • Producer of Sad Girlz - “The main work is building continuity” - Berlinale 2026

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Interview: Sebastian Brameshuber • Director of London - “Now that divisions have come to the forefront, it was important to make a film that emphasises what we ...

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Interview: Pepa Lubojacki • Director of If Pigeons Turned to Gold - “I still don’t know if this film is the best or the worst idea of my life”

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Erika Jakab examines Creative Europe’s impact and future priorities at the Berlinale

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Review: A Prayer for the Dying - Berlinale 2026

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Interview: Geneviève Dulude-de Celles • Director of Nina Roza - “I was less interested in the initial hardship of migration than in the aftermath”

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Interview: Ralitza Petrova • Director of Lust - “We’re constantly stimulated, yet deeply disconnected”

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Interview: Dominik Locher and Honeylyn Joy Alipio • Director and screenwriter of Enjoy Your Stay - “From Filipino cinema I learned the importance of an ensemble...

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Review: My Wife Cries - Berlinale 2026

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Review: Narciso - Berlinale 2026

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Review: Queen at Sea - Berlinale 2026

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