ELEPHANT elephant.art

Artists Who Pivot: What Does it Mean to Sustain a Creative Life Today?

elephant.art·1d

Inside ob’s Phantom Tales at Perrotin, from Digital Worlds to Inner Landscapes

elephant.art·1d

Which Other Painter Could Turn Titian into an Abstract Abyss? Gerhard Richter at the Fondation Louis Vuitton

elephant.art·4d

John Kelly After The Fall

elephant.art·5d

Judie Bamber in Detail

elephant.art·5d

Between Dreamland with Dylan Rose Rheingold

elephant.art·5d

Blue Velvet Cuts Through the Noise at Art Genève

elephant.art·1w

What’s In the Cards for Julia Jo? A Live Tarot Reading

elephant.art·1w

Elsa Schiaparelli, Insect Necklace, c.1938

elephant.art·2w

Britain’s Lost Creatives: What the Data Misses About Migrant Artists

elephant.art·2w

Postcards from CONDO

elephant.art·2w

Emilia Momen Is Reframing the Canon of the Bather

elephant.art·2w

From L’Atelier to Dior with Patrick Eugène

elephant.art·2w

“Which Side of the Glove Are You?”

elephant.art·2w

Temperance and the Fool: The Art World’s 2026 Spread

elephant.art·2w

BAISHUI’s Beyond Form

elephant.art·3w

Generosity of Time – Adrian Villar Rojas’ First Bronze in Le Brassus

elephant.art·3w

The Opening of GICA: Rwanda’s First Independent, Non-Profit Contemporary Art Institute

elephant.art·3w

Camille Gallogly Bacon Peels Herself—And Art Criticism—Off The Page

elephant.art·3w

Who Gets to Be a Revolutionary? Camille Henrot at Lina Bo Bardi’s Glass House

elephant.art·4w

Loading...Loading more...