ELEPHANT elephant.art

Emma Kohlmann on Internet Nostalgia, Intuition, and the Zines that Started It All

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Following the Brush: John Zurier on How Place Seeps Into the Psyche

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“Play is Really Serious”: Harold Offeh Knows It Could Be Sweet

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Toyin Ojih Odutola Draws Homes Made of Openings

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Exceptional Supply, Not Market Revival: Inside New York’s Autumn Auctions

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George Condo and the “Many Selves” We Inhabit

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Miles Greenberg In His Own Words

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On (and In) Love with Rene Matić: Britain’s Youngest Ever Turner Prize Nominee

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“The Question is the Most Important Thing”: The Art World’s Tarot for the Month Ahead

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Counterpublic’s Circus of Life Just Might Save Us All

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‘Dirty Looks’ Revels in the Filth of It All

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Caterina Barbieri’s Biennale Revolution

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Lorena Pipenco Makes Big Hats for Even Bigger Delusions

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The Florida Man is Dead. Long Live the “Florida Boys”

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Pornography, Human Excrement and Vulnerability: Mire Lee Isn’t Afraid of the Grotesque

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Fifty-Five Figures Under a Compressed Sun: Sandra Mujinga at the Stedelijk

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“The Meeting of Control and Surrender”: Maria Kreyn Explores the Hyperobject

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Eighteen Reasons to Bundle Up and Head Out in New York City

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Croc Kings and Catan Aficionados: Meet the Collectors

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David Claerbout: 5 hours, 50 days, 50 years at Konschthal Esch

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