Music | The Guardian · Scour

‘African people are surreal’: songwriter and blues poet Aja Monet on Black resistance and love as spiritual warfare

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‘I’m an old bastard looking back’: the bizarre renaissance of piano-jammer Bruce Hornsby

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Nicole and Natalie Appleton look back: ‘She was my home away from home during the craziness of All Saints’

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‘My mum bought me Hardcore Ecstasy when I was seven – it’s a great compilation’: Nick Grimshaw’s honest playlist

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Fill that Glasto-shaped hole! The 40 best UK festivals you can still book

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I thought I’d been coping with my sister’s death – a Taylor Swift song showed me I hadn’t

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Pop maverick Robyn on sleaze, snobbery and dating during IVF: ‘When there isn’t as much at stake, sex becomes more fun’

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Add to playlist: the coffee-shop pop of Gianna and the week’s best new tracks

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Billy Bragg calls for big turnout at London march against far right

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Miroslav Vitous: Mountain Call review | John Fordham's jazz album of the month

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‘I didn’t think anyone would be into it’: Slayyyter turns midwest trash into pop gold

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‘A broken heart can turn somebody into a bad Casanova’: breakout R&B star Leon Thomas on defiance, D’Angelo and his ‘doggie’ persona

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Olivia Dean leads the way with three wins at 2026 Mobo awards

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Dash Crofts of Summer Breeze rock duo Seals and Crofts dies aged 85

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Paul McCartney: Days We Left Behind review – this wistful, lovely song is as McCartney-esque as it’s possible to be

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Fcukers: Ö review | Alexis Petridis's album of the week

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‘Black music is not a subculture – it is the engine’: Why the Mobo awards matter more than ever, 30 years on

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Rave Culture: A New Era review – high energy testimonial to the UK’s dance revolution

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Country star Ty Herndon: ‘The drugs could be forgiven. Being gay definitely could not’

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Black music has been the driving force in Britain’s music industry and culture. It’s time we treated it that way

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