Music | The Guardian · Scour

Protect ya neck! Wu-Tang Clan as they’ve never been seen before

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Teeth ’n’ Smiles review – Self Esteem makes a mesmeric rock star but the drama doesn’t dazzle

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Duffy to tell story of her kidnapping and rape ordeal in new Disney+ documentary

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‘I was shunned, laughed at and underdogged’: Jane McDonald on her wild ride from clubland to cruises to country

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And who’s playing Madeline? Lily Allen’s West End Girl could make sensational theatre

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Ivor Novello award nominees reflect gender disparity in British and Irish songwriters, with twice as many men as women

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‘No one’s tried this before’: a new live music roster aims to ensure opportunities for disabled musicians

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Jay-Z on refusing to settle sexual assault lawsuit: ‘I can’t do it, I would die’

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Teenage kicks: Camden’s Museum of Youth Culture

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Manchester’s Strange Quarter is alive with creativity. Can it survive a 130-hectare redevelopment?

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Robyn: Sexistential review – pop doyenne returns with emotional grenades and a new philosophy

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Kinks guitarist Dave Davies hits back at Moby for calling 1970 single Lola ‘gross and transphobic’

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‘It shook the plaster off the ceiling’: Self Esteem and David Hare on reviving rock romp Teeth ‘n’ Smiles

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‘The most stunningly awful wonderful record’: how the Shaggs became rock’s most divisive band

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Raye: This Music May Contain Hope review – a wildly ambitious epic of unbridled self-expression

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Chappell Roan responds to criticism from footballer Jorginho after incident with security

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Geese review – all hail the new saviours of rock’n’roll

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‘The lyrics to Lola by the Kinks are gross – I was really taken aback’: Moby’s honest playlist

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‘We didn’t want to play the game’: how Ladytron became unlikely pop survivors

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‘She made it sound like the cosmos breathing’: the revival of jazz harpist and pianist Alice Coltrane

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