Music | The Guardian · Scour

‘Magical’: how I taught Paul Mescal and Josh O’Connor to sing like folk troubadours in The History of Sound

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Josh Groban looks back: ‘Music became a liability to my mental health’

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‘People can be cruel – I learned that early’: US pop star Madison Beer on child fame and fan attacks

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‘I don’t go around telling people I love the Spice Girls’: Mo Gilligan’s honest playlist

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Blink-182’s Mark Hoppus: ‘Bass players are just cool. We’re the one that brings it all together’

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My cultural awakening: A Queen song helped me break free from communist Cuba

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Robbie Williams breaks the Beatles’ record for UK No 1 albums, with 16th chart-topper

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Dijon review – a dense and dramatic forest of futurist sound from Grammy-nominated R&B auteur

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Add to playlist: the Regency-styled 80s synth-pop revivalism of Haute & Freddy and the week’s best new tracks

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Harry Styles: Aperture review – a joyous, quietly radical track made for hugging strangers on a dancefloor

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Ari Lennox: Vacancy review – the R&B sophisticate’s loosest and most fun outing yet

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‘Some artists thought it was too political’: can Jarvis, Damon, Olivia Rodrigo and Arctic Monkeys reboot the biggest charity album of the 90s?

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Zach Bryan’s anti-ICE song drew ire from Trump officials. Is country music waking up?

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R&B star Jill Scott: ‘I like mystery – I love Sade but I don’t know what she had for breakfast’

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Arctic Monkeys release first new song since 2022 to benefit War Child

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Megadeth: Megadeth review – conspiracy theories and combustible fingers on thrash metallers’ curtain call

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Liza Minnelli uses AI to release first new music in 13 years

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‘Who was this golden creature?’: the stars of London’s black queer nightlife

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Tenacious D will return: Jack Black and Kyle Gass ‘hashed it out’ after Trump joke controversy

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Olivia Dean and Lola Young lead 2026 Brit award nominations

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