Music | The Guardian · Scour

‘We played to 8,000 Mexicans who knew every word’: how the Whitest Boy Alive conquered the world

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‘Soviet attitudes framed local culture as backward’: the record label standing up to Russian imperialism

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UK grassroots music venues show lowest decline since 2018 as sector stabilises post-pandemic

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‘Why was it me?’ Mon Rovîa on going from war-torn Liberia to US folk-pop stardom

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Hilary Duff review – first gig in 18 years for former teen icon is euphoric, escapist fun

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Release the beast! How Iron Maiden and a naked Ralph Fiennes created the ultimate big-screen needle drop

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Is this man the future of music – or its executioner? AI evangelist Mikey Shulman says he’s making pop, not slop

theguardian.com·17w·Hacker News

‘Kids referenced it as they asked for condoms’: the makers of cult hip-hop film House Party look back

theguardian.com·17w·r/hiphopheads

Nick Cave & the Bad Seeds review – an electrifying crescendo of faith, fury and fragile joy

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Emmylou Harris review – spine-tingling goodbye from 78-year-old country legend

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‘Even thinking about Coldplay I get tearful’: Denise Lewis’s honest playlist

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Add to playlist: the dark fog of Los Angeles saxophonist Aaron Shaw and the week’s best new tracks

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Sleaford Mods: The Demise of Planet X review – vulnerability and versatility widen potty-mouthed appeal

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‘We wouldn’t still be playing if we’d got stinking rich’: the Damned celebrate 50 years of punk, goth and holy grail hunting

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Robbie Williams: Britpop review | Alexis Petridis's album of the week

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Harry Styles announces fourth solo album, Kiss All the Time. Disco, Occasionally

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From Dylan to disco, Beyoncé to Bob Marley: the 30 best live albums ever

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‘A nasty little song, really rather evil’: how Every Breath You Take tore Sting and the Police apart

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John Forté, Grammy-nominated musician who worked with Fugees, dies at 50

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Music executive LA Reid settles sexual assault lawsuit on day civil trial was due to begin

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