Music | The Guardian · Scour

The Cribs: Selling a Vibe review | Alexis Petridis’s album of the week

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Sébastien Tellier: ‘I thought I’d be famous after Eurovision

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Nicki Minaj’s Maga conversion is doing nothing for her career – or is it?

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Rosalía’s Lux is more than epic Catholic pop – it grapples with a world fraught with complexity and crisis

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‘You can’t drink Fanta. You have to smoke marijuana’: Fela Kuti’s artist recalls their wild collaborations

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It would be an honour to write James Bond theme song, says Noel Gallagher

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‘I’d never heard anything like it’: the prepared piano revelations of jazz star Jessica Williams

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âIâve got a fearlessness to being laid bareâ: how Yungblud became Britainâs biggest rock star

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From K-pop and The Traitors to Dune and the return of Madge: your A-Z of the biggest culture of 2026

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âI inexplicably detest Mr Brightsideâ: John Simmâs honest playlist

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Bowie: The Final Act – 10 years after his death, the rock god gets a rapturous resurrection

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Will Smith accused of ‘predatory behaviour’ and ‘grooming’ by tour violinist

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Iain Ballamy: Riversphere Vol 1 review | John Fordham's jazz album of the month

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Blue: Reflections review – a clunky rehash of their Y2K boyband heyday

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Songs about new beginnings – ranked!

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Dry Cleaning: Secret Love review | Alexis Petridis's album of the week

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Our 2026 listening resolutions: from Radiohead to Kendrick Lamar, critics try to get into music they’ve never liked

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‘Being annoying is worse than being evil’: the high-octane, low-culture genius of indie duo Getdown Services

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Lily Allen’s live return, Charli xcx’s Wuthering Heights and Simon Rattle’s Janáček: music to listen out for in 2026

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Oasis reunion and Taylor Swift vinyls fuel boom year for UK music industry

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