Music | The Guardian · Scour

‘By 15, I was hanging out with Skrillex’: the idiosyncratic club music of reformed EDM kid Villager

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Songs about love, poverty and swimming in Bacardi lemon: Dutch ‘levenslied’ captures a new generation

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‘Seeing all the work that goes into DIY scenes changed my life’: the bitterly optimistic indie-rock of Prewn

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‘Have sex to my own music? That sounds repugnant’: KT Tunstall’s honest playlist

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‘Hardcore had a level of violence I was really interested in’: the thrash solos and beatdowns of False Reality

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‘I once Bogarted a joint from a Beatle’: Stewart Copeland of the Police

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The best songs of 2025 … you may not have heard

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‘A lot of men don’t open up’: Kidwild, the UK rapper unafraid to bare his soul

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Jewish klezmer-dance band Oi Va Voi: ‘Musicians shouldn’t have to keep looking over their shoulders’

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Soul-baring ballads, alt-rock fury and neon-lit techno: five-star albums you may have missed this year

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‘We bonded over losing very good friends in our mid-20s’: the candid, shoegazey dream-pop of Snuggle

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The best old music we discovered this year

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My big night out: I went to a White Stripes gig with a colleague – and she became my best friend

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‘We were treated like enemies of society’: Japan’s dangerous hardcore punk scene looks back to its roots

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What happened next: the Oasis comeback – and how it transformed a hill in Manchester

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The 10 best folk albums of 2025

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Bold docuseries or dull branding exercise? What The End of an Era really told us about Taylor Swift

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‘It contains the greatest song ever about an ice cream truck’: readers’ favourite albums of 2025

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Striking a cord: the return of wired headphones is restoring friction to our convenience-addled lives

theguardian.com·21w·Hacker News

‘A sense of anarchy and misrule’: the osses, warring oaks and lobbed sprouts of Penzance’s Montol festival

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