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Oscar Shortlist Interviews: Directors Chris Lavis And Maciek Szczerbowski’s Favorite Shot From ‘The Girl Who Cried Pearls’ (EXCLUSIVE)

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Animation Fuels IMAX To Its Best Year Ever: $1.28 Billion Worldwide Box Office

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WBD Rejects Yet Another Paramount Skydance Takeover Attempt

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DreamWorks Remote Workers, Netflix Animation Production Staff, And ‘Ted’ Crew Vote To Unionize

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Oscar Shortlist Interviews: Director Anastasiia Falileieva’s Favorite Shot From ‘I Died In Irpin’ (EXCLUSIVE)

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The Art Of ‘In Your Dreams’ Portfolio: Tracing The Visual Development Of Netflix’s Family Gem (EXCLUSIVE)

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‘Dog Alone’: A Deeply Personal Short From BAP, One Of Portugal’s Most Distinctive Animation Studios

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ASIFA-East Festival And Cartoon Brew Announce Exclusive Media Partnership

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Oscar Shortlist Interviews: Director Konstantin Bronzit On His Favorite Shot From ‘The Three Sisters’ (EXCLUSIVE)

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Opinion: And The Critics Choice Award For Animated Series Goes To… ‘South Park’?

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‘KPop Demon Hunters,’ ‘Elio’ Lead 53rd Annie Award Feature Nominations With 10 Nods Each

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Oscar Shortlist Interviews: Director Florence Miailhe’s On Her Favorite Shot From ‘Butterfly’ (EXCLUSIVE)

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Oscar Shortlist Interviews: Director Sylwia SzkiÅ‚Ä dź On Her Favorite Shot From ‘Autokar’ (EXCLUSIVE)

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1960-70s Zagreb School Icon Professor Balthazar Is Making The Jump To Video Games

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China’s 2025 Box Office Comeback Powered By Animation

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Oscar Shortlist Interviews: Director J.P. Vine Shares His Favorite Shot From ‘Cardboard’ (EXCLUSIVE)

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‘Zootopia 2’ Becomes Disney Animation’s Highest-Grossing Release Of All Time

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In Memoriam: Remembering The Animation Figures Who Died In 2025

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Oscar Shortlist Interviews: Director Jan Saska Shares His Favorite Shot From ‘Hurikán’ (EXCLUSIVE)

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Cartoon Brew Writers Pick Their Favorite Features, Series, And Shorts Of 2025

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