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Upcoming Animated Movies Calendar: A Look At 2026 Feature Animation Releases

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Traditional Financing Be Damned: Jorge Gutiérrez Courts Partners By Releasing The Full 40-Minute ‘El Guapo Vs. The Narco Vampires’ Animatic Online

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Oscar Shortlist Interviews: Director Aaron Blaise Shares His Favorite Shot From ‘Snow Bear’ (EXCLUSIVE)

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Toho Purchases Anime Limited, Extends European Reach With New U.K. Base

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Public Domain Day 2026: Betty Boop, Pluto (As Rover), And Flip The Frog Hit The Commons On January 1

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'Legend Of Aang' Skips Theaters, Heads To Paramount+

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Inside The Insanity Of ‘Gumball’s’ Holiday Special, ‘The Cheapmas’

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Box Office: ‘David’ Sets Angel’s Opening Record; ‘SpongeBob’ Treads Water; ‘Zootopia’ Holds; And ‘Avatar’ Rules

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Five Indie Animated Features, Five Very Different Paths: Welcome To Cartoon Brew’s Awards Season Rogue Roundtable

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WildBrain Sells Its Peanuts Stake To Sony For A Debt-Free Balance Sheet

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‘There Are As Many Hells As There Are Evil Minds’: Isamu Imamake On Animating The Afterlife In ‘Dragon Heart’ (EXCLUSIVE BTS)

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‘What We Create Gives Balance To The Industry’: Producer And Studio 4°C Co-Founder Eiko Tanaka On Maintaining The Company’s Creative Spirit

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The Oscars Are Heading To YouTube In 2029

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Shareholders Push Back On Blue Ant Purchase Of Thunderbird Entertainment

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‘Demon Slayer: Infinity Castle’ Director Haruo Sotozaki And DP Yûichi Terao Talk Awards Impact, Sequel Stresses, And Rising Expectations

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‘You Have To Leave Him How You Found Him’: Derek Drymon And The Reel FX Team On Bringing SpongeBob Back To The Big Screen

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Rainbow Acquires Geronimo Stilton IP, No Mention Of The Previously-Announced Feature Adaptation

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‘Original One-Off Pieces… Are Really The Only Thing I Want To Make’: Inside Adult Swim’s ‘The Elephant’ With Patrick McHale, Pendleton Ward

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Malaysian Animation’s New Box Office Benchmark: ‘Papa Zola The Movie’ Passes $2.5 Million In Its First Five Days

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Warner Bros. Discovery Board Rejects Paramount’s Hostile Offer

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