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2026 Oscars Short Film Contenders: ‘As if Swallowed By Earth’ Director Natalia León

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‘KPop Demon Hunters’ And AI Integration Headline Netflix’s Third Quarter

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‘Little Amélie,’ ‘GiGi’ Win Top Prizes At Animation Is Film

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‘KPop Demon Hunters’ Finally Gets Its Big Merch Push After A Historic Co-Licensing Deal With Mattel, Hasbro

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2026 Oscars Short Film Contenders: ‘Hurikán’ Director Jan Saska

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Netflix Settles On Catan As Its Next Big Gaming Adaptation

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Warner Bros. Discovery Confirms Its For Sale, Bidders Circling

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2026 Oscars Short Film Contenders: ‘Cardboard’ Director J.P. Vine

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CEE Animation Forum Unveils Its 2025 Project Pitching Lineup

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24 Hours Animation Contest Marks Record-Breaking Year With Global Winners

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2026 Oscars Short Film Contenders: ‘Transferable’ Directors Jacob Gardner And David Hubert

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‘Distribution Is Free’: ‘Claynosaurz’ Boss Nic Cabana Says The Future Of Entertainment Belongs To Creators

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From Afro-Animation To European Eco-Innovation: This Week’s Animation News, Including Highlights From MIPCOM 2025

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‘A Fear Of Being Replaced’: Uli Meyer Turns AI Anxiety Into ’90s Cartoon Horror With ‘Tricky & The Cereal Killers’ Concept Trailer (EXCLUSIVE)

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2026 Oscars Short Film Contenders: ‘Two Ships’ Director McKinley Benson

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Netflix Merges VFX Units Scanline And Eyeline To Focus On Virtual Production, AI-Enabled Filmmaking

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‘If You’re Going To Spend Five Years Making Something, Make It Mean Something’: Steve Hudson Brings Heart To ‘Stitch Head’ Feature Adaptation

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‘KPop Demon Hunters’ Is So Big It Has Thawed the Netflix–AMC Box Office Cold War

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AnimSchool Launches IndieMation Fest Spotlighting Independent Animation Creators

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‘A Strange Baby, But It’s Ours’: Phil Johnston On Bringing ‘The Twits’ To Life At Netflix

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