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‘Carne De Dios’: An Animated Descent Into The Sacred And The Profane

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Animation Takes Center Stage At DOK Leipzig 2025 – Full Competition Lineup

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Cartuna Scores U.S. Rights To Latvia’s Medieval Horror Oscar Submission ‘Dog Of God’

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Phil Tippett On His Studio’s Use Of Generative AI: ‘Like Having A Dog, It Trains You As Much As You Train It’

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2026 Oscars Short Film Contenders: ‘No Vacancy’ Director Miguel Rodrick

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Former Disney, Illumination Exec Nabil Kazi Joins ‘The Glassworker’ Distributor Watermelon Pictures

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From Superheroes To Shōnen: Sony Bets On Anime As The Next Global IP Engine

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The Well - Oiled Plan Skewers The Fossil Fuel PR Spindustry

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Studio 4℃’s Anime Adaptation ‘All You Need Is Kill’ Gets International Trailer

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2026 Oscars Short Film Contenders: ‘Ovary-Acting’ Director Ida Melum

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‘Defined By Silence And Bursts Of Violence’: Guillaume Dousse On ‘Splinter Cell’s’ Slow Burn

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‘Adventure Time: Fionna And Cake’ S2 Gets New Trailer, October 23

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‘Despicable Me’ Producer John Cohen, ‘Haunted Hotel’ Showrunner Matt Roller Join ‘Miraculous’ Theatrical Feature Team

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‘Animation Is Something You Could Spend Forever On’: Kenji Iwaisawa On ‘100 Meters’ And Re-Touching ‘On-Gaku’

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Glitch Productions Partners With ‘Lackadaisy’ Creators For Full Series Development

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Warner Bros. Animation To Adapt Iconic ‘Batman: Knightfall’ Run As Multi-Part Animated Event

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Guillermo Del Toro, Netflix, And Gobelins Team On Paris Stop-Motion Studio

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2026 Oscars Short Film Contenders: ‘Éiru’ Director Giovanna Ferrari, Producer Nora Twomey

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Can Anything Stop ‘KPop Demon Hunters’? And Other Burning 2026 Oscars Questions

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Duolingo Launches Anime-Inspired Series ‘The Final Test’ To Promote Japanese Learning

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