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‘CGI Is For Losers,’ Says Star Of ‘Frankenstein,’ ‘Alita: Battle Angel,’ ‘Spectre,’ and Other CGI-Fests: To Whom Was Christoph Waltz Referring?

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Dana Terrace’s ‘Knights of Guinevere,’ The First 2D Series From Glitch Productions, Drops One Of The Year’s Best Trailers

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Disney Animation Unveils New Original Film ‘Hexed,’ Coming November 2026

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‘Great Films Are Harder To Find Because They’re Being Drowned Out’: Why Don Hertzfeldt Put Together The ‘Animation Mixtape’ Short Film Anthology

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Netflix’s ‘Cyberpunk: Edgerunners’ Joins Growing Trend Of Streaming-Era Anime Getting Physical Releases

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Eco-Themed Hybrid Special ‘TRASH!’ Gets International Distribution From Miam!, Drops Trailer

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Hundreds Of Blizzard ‘Diablo’ Developers Unionize With CWA: Microsoft Voluntarily Recognizes The Unit

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‘Flow’ Director Gints Zilbalodis Sets Next Film ‘Limbo’ for 2028

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‘I’d Like To See The Cost Of VFX Artists Come Down’: James Cameron Says Effects Costs Threaten Big-Budget Films, Industry Jobs

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‘KPop’ Heads To Kilkenny: Directors Maggie Kang And Chris Applehans Headline This Year’s Irish Fest

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Academy Unveils 2025 Student Academy Award Winners

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Aussie Indie Feature ‘Lesbian Space Princess’ Gets Halloween Release Date After Impressive Festival Run

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Pete Docter, Matt Groening, Brenda Chapman, Ramsey Naito Among Appointees To ASIFA-Hollywood Advisory Board

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Netflix Publishes Generative AI Use Guidelines: Here’s What Is/Isn’t Allowed

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An ‘Outrageously Attractive’ Medium: Anime’s Global Surge And What Industry Leaders Say Comes Next

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It’s Official, ‘KPop Demon Hunters’ Is Netflix’s Most Watched Original Film Ever

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Morph T-Shirt Leads To U.K. Terrorism Arrest As Aardman-Themed Anti-AI Protest Confuses Police

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Sony Moves Wide Release For Momaru Hosoda’s ‘Scarlet’ To 2026

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GKIDS Bringing Satoshi Kon’s ‘Perfect Blue’ Back To Theaters In 4K

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Weird Al Yankovic To Present Bill Plympton Retrospective At New York’s IFC Center

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