Animation Dominates 2025 Streaming: ‘Bluey’ Repeats As Nielsen’s Most-Watched Title

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Former Paramount Co-CEO Brian Robbins Goes Digital First With His New Label, Big Shot Pictures, Acquires ‘Eloise’ Rights

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‘Here’s The Plan’ Director Fernanda Frick Returns To Animation With ‘Last Journey’ Teaser (EXCLUSIVE)

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Better Late Than Never? ‘KPop Demon Hunters’ Finally Gets A Major Toy Rollout

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Zack Olin Named SVP Of Development And Current Series At Disney TV Animation

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New ‘JoJo,’ Period Dramas, And Steampunk Adventures: Netflix Outlines Its 2026 Anime Lineup

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Looney Tunes Returns To TV With Prestige Treatment At Turner Classic Movies

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After 11 Years In Development, Ross O’Donovan’s ‘Gameoverse’ Heads To Full Series At Glitch Productions

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Dragon Ball Celebrates 40 Years With New Anime Series, Remastered ‘Dragon Ball Super’ Revival

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Social Experiment Or Hoax? – The Curious Case Of ‘The Three Sisters’ According To Director Konstantin Bronzit

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From ‘Fortnite’ To ‘Fallout’: Checking In From London’s Beyond Games: Transmedia Summit

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Netflix Strengthens Its Anime Push With Expanded MAPPA Partnership

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Inside ‘Acid City,’ A Cyberpunk Speculative Documentary Anchored In Real Voices And Real Science

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‘Documentary Can Be More’: Director William David Caballero On Sundance Player ‘TheyDream’ (EXCLUSIVE CLIP)

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Stains On Silence – Ryo Orikasa’s Animation Word Plays

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San Diego Comic-Con Updates Its Art Show Regulations To Ban AI

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No Surprises Among This Year’s Animated Feature Nominees As Predictable Front-Runners Dominate

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Women In Animation Launches Online Portfolio Review Program, Applications Now Open

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Amazon MGM Studios Orders ‘Lore Olympus’ Adaptation From Webtoon, The Jim Henson Company

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The Great, Good, Bad, And Ugly Of Netflix’s Latest Viewing Data Dump, And What It Says About The Streamer’s Original Animation Film Slate

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