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Features – IndieWire
indiewire.com
Top of the Line: What’s Your Take?
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8 minutes ago
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‘Revolutionary Girl Utena’ Is the Anime to Watch This Pride Month
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2h
2 hours ago
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The Best Movies New to Every Major Streaming Platform in June 2026
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One of the Best Parts About ‘Disclosure Day’ Is This Practical Costuming Choice for Emily Blunt’s Heroine
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4 hours ago
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‘If We Don’t Have Him Sing, We Should All Be Fired’ — How Music and Sound Helped Bring ‘The Boys’ Home
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‘The Cable Guy’ Turns 30: How Jim Carrey’s Darkest Comedy Saw the Future Coming
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8 hours ago
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Watch ‘Stranger Things’ VFX Supervisor Betsy Paterson Explain When Storyboards Are (and Aren’t) Helpful
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21h
21 hours ago
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Curry Barker’s Agent Found What Traditional Hollywood Missed, and He Believes He’s Already Discovered the Next Breakout
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The Best New Shows of 2026 (So Far), from ‘The Audacity’ to ‘Widow’s Bay’
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Independent Film Is Winning With Performance Art
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2 days ago
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Visibility Comes First, Not Last
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After ‘Backrooms’ and ‘Obsession,’ the Summer’s Next Big Horror Movie Deserves to Be ‘Leviticus’
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That Viral ‘Other Bennet Sister’ Bird-Calling Scene Isn’t Just Fun, It’s the Key to the Show’s Romance
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2 days ago
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‘I Shot Andy Warhol’ at 30: Mary Harron Looks Back at One of the ’90s’ Best American Indies
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Summer TV Preview: Our 23 Most Anticipated Shows
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3D Printers and a Wig Archive Help the ‘SNL’ Hair and Makeup Team Go Wilder Than Ever
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The Best Case for Competition in Streaming? Netflix’s ‘Michael Jackson: The Verdict’ — Opinion
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Slicing and Dicing ‘Dexter’ from the Writers’ Room to the Editing Room
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What ‘The Chair Company’ Has in Common with — of All Things — ‘Prisoners’
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No One Turns Female Competition Into Terrifying Cinema Quite Like Sophia Takal
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