Features – IndieWire indiewire.com

‘Lord of the Flies’ Channels the Magic of Trees — and Also ‘Lone Survivor’

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The Only Legal Problem ‘Game Changer’ Season 8 Has Is with the Latches on Its Giant Fake Lawyer

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Will ‘The Comeback’ Be as Prescient About AI as It Was Reality TV?

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The Only Palestinian Filmmaker in Cannes’ Official Selection Made His Debut Without a Script — and with a Real Bedouin Family

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Miles Teller Opens Up About ‘Paper Tiger,’ Adam Driver, and Losing His Home Before Filming James Gray’s Movie

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Pawel Pawlikowski’s Historical Stunner ‘Fatherland’ Is About Far More Than Thomas Mann — It’s About Today’s Own Fissures

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‘Outlander’ Showrunner Breaks Down the Series Finale —but Won’t Explain the Ending

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How I Shot That: The Cameras and Lenses Behind the 2026 Cannes Feature Films

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Asghar Farhadi Lives in Iran, but Won’t Make Movies There

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How Aleshea Harris Combined Influences from Across History to Create Her Tragic, Absurd Debut ‘Is God Is’

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Crash Out with ‘Maximum Overdrive’: Director Stephen King’s One and Only Feature Film

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‘Outlander’ Stars Caitríona Balfe and Sam Heughan Bid an Emotional Farewell to the Series

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Who Will Win the Cannes Film Festival Palme d’Or?

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Cannes Premiere ‘Jim Queen’ May Be the Gayest Animated Film Ever Made

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The Léa Seydoux Body-Swap Movie ‘The Unknown’ Has Already Sparked Intense Debate at Cannes

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‘Regular Show: The Lost Tapes’ and the Tricky Science of a TV Revival

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Jane Schoenbrun Says ‘Teenage Sex and Death’ Is ‘About as Commercial as I Can Do’

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‘Welcome to Wrexham’ Season 5 Isn’t Quite as Welcoming as It Used to Be

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Curry Barker’s Current ‘Obsession’? Just Making Great Genre Films

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Peter Jackson Compares New Gollum Movie to Joaquin Phoenix’s ‘Joker’

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