Features – IndieWire indiewire.com

Netflix’s ‘Manosphere’ Dares to Ask: Should Men Make Documentaries About Sexism? — Opinion

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Sofia Coppola and Marc Jacobs on ‘Marc by Sofia,’ Anxiety and Influence, and 30 Years of Friendship

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Prediction Markets Claimed an Oscar Victory. The Reality Was Messier.

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‘Project Hail Mary’ Screenwriter Drew Goddard Fought for the Book’s Ending — and the Film’s Runtime and Heady Sci-Fi

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Indie Film Has an Architecture Problem

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‘The AI Doc’ Director Daniel Roher Gets Real About Generative AI, Its Impact on Hollywood, and What’s in Our Power to Control

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Are Minority Voices Just Too Scary to Beat the Anti-Horror Bias for Best Picture?

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‘V for Vendetta’ Oral History: The Wachowskis, Natalie Portman, and Many More on the Dystopian Classic at 20 Years Old

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‘Dead Lover’ Smelled an Opportunity to Get Audiences Into Theaters with ‘Stink-O-Vision’

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Warner Bros. Releases Over 50 More Looney Tunes Classics from the Vault

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All 98 Oscars Best Picture Winners, Ranked

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Indie Star Joe Swanberg Never Really Left — but He’s Definitely Back Now

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Harrowing Post-Apocalyptic Drama ‘Testament’ Comes to Criterion: Jane Alexander and Director Lynne Littman on Their 1983 Classic

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‘KPop Demon Hunters’ Winners Finish Their Cut-Off Acceptance Speech Backstage: ‘A Movie Is Like a Village’

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The Best Red Carpet Looks of the 2026 Oscars

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How I Shot That: The Cameras and Lenses Behind the 2026 SXSW Features

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Meet the Punk-Rock Projectionist Showing His Own Films in a Tiny Theater on Wheels

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See ‘Undertone’ with Dolby Atmos, or You’ll Miss Half the Horror

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Praying ‘Sinners’ Wins Best Picture? Try the Hypnotic Vampire Classic ‘Ganja & Hess’ While You Wait

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No, Pixar Doesn’t Need to Give Up ‘Autobiographical’ Stories

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