Features – IndieWire indiewire.com

You Won’t Watch John Candy Movies the Same Way After Seeing Colin Hanks’ New Documentary

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‘The Roses’ Costumes Are Giving Resentment

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‘Paul’s Great at Helping You Forget He’s Paul McCartney’: Morgan Neville on New Doc ‘Man on the Run’

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The 15 Best Doppelganger Films, from ‘Dead Ringers’ to ‘Vertigo’

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We Want Filmmaker Chandler Levack to Be Our New Best Friend — Her ‘Mile End Kicks’ Shows Why

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For ‘Nouvelle Vague’ Star Zoey Deutch, It’s an Obvious Connection Between Jean-Luc Godard and Richard Linklater

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The Force Can Be with You — for 1 to 3 Million Dollars

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Michelle Yeoh Tells Us Why ‘Ne Zha 2’ Needed a Dub

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The ‘Night of the Juggler’ Has Been Restored to Its Rightful Place in the Action Movie Pantheon

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The Best New Blu-ray and 4K Releases in September 2025

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Gus Van Sant on the Luigi Mangione Link to His Hostage Thriller ‘Dead Man’s Wire,’ the Legacy of ‘Elephant,’ and Streaming vs. Theatrical

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The Talk of Telluride Is Jesse Plemons’ Performance in ‘Bugonia’

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Telluride First Look: Ondi Timoner’s Wrenching Altadena Fire Short ‘All the Walls Came Down’

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The 7 Best New Shows on Netflix in September

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Ethan Hawke Keeps Getting Better, as Music Enriches His Art

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The Year Is 1979 and Nothing Will Stop You from Watching This Zombie Fight a Real Shark

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Digging Into This Year’s Telluride Lineup, from ‘Hamnet’ to ‘Bugonia’ and More

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André Holland on the Legacy of ‘Moonlight,’ ‘The Knick’ Season 3, and His New York Rom-Dram ‘Love, Brooklyn’

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‘Karl’ First Look: Nick Hooker’s Sumptuous Portrait of the Iconic Fashion Designer

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Ed Gein? John Wayne Gacy? True Crime Docudrama Seems Hell-Bent on Hitting a New Low This Fall

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