Features – IndieWire indiewire.com

John Waters on ‘Saló,’ a ‘Beautiful Movie Against Fascism,’ and His Pilgrimage to Pasolini’s Murder Site

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The 10 Best Anime Movies (and TV Shows) of the 1970s

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The Fate of the Midnight Movie Still Hangs in the Tragedy of ‘The Rocky Horror Picture Show’

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Billy Wilder’s Overlooked Classic ‘Avanti!’ Is Fondly Reclaimed by Leading Lady Juliet Mills

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Sorry, ‘Star Wars’ — with ‘New York, New York,’ Martin Scorsese Made the Best Movie of 1977

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The Best TV Scores of the Year, According to Our Composers Survey

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Fierce Mothers: How Meiko Kaji and Pam Grier Birthed the Modern Action Heroine

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The 25 Best Movie Scores of the 1970s

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Why ‘Sly Lives!’ Is a Documentary by Artists for Artists — and for Everyone

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The Hardest Thing for Us to Bear: How Two African Films from the ’70s Examine Postcolonial Discontent

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Jazz Drums, Improv Buckets, and an ADR Shirt: Inside IndieWire’s Craft Celebration of ‘The Studio’

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Every Sucker for Himself: How ‘Slap Shot’ Cut to the Soul of the American Character

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Easy Does It: Keith Carradine Looks Back on the Three ’70s Classics He Made with Robert Altman

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The 30 Best Movie Performances of the 1970s

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‘Women Wearing Shoulder Pads’ Channels the Spirit of Pedro Almodóvar Into a Stop-Motion Package

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David Mackenzie Doesn’t Make the Same Film Twice — Nothing Could Thrill His ‘Relay’ Stars Riz Ahmed and Lily James More

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Quick! If You Make Short Films, Try These 9 Tips for Your Next Festival Submission

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‘Sholay’ at 50: How a Gen Z Indian Critic Learned to Love a Timeless Bollywood Masterpiece

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The Roger Corman School of Filmmaking Remembered: Martin Scorsese, Ron Howard, Robert De Niro, and More on the B-Movie King

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The Wave Broke: How the Movies of the Early 1970s Crystallized the Cynical Individualism of the ‘Me Decade’

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