Features – IndieWire indiewire.com

‘Company Retreat’ Is a Masterclass in How to Hide a Camera

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Two Vince Vaughns Are Better Than One for the Director of ‘Mike & Nick & Nick & Alice’

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François Ozon Found the Homoerotic Frisson in Camus for ‘The Stranger’ — and with French Heartthrob Benjamin Voisin

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The Sketch Comedy Team Behind ‘Pizza Movie’ Delivers a Stoner Comedy High on Cinema Itself

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The Best New 4K and Blu-ray Releases in April 2026

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To Access Stranded Capital, Filmmakers Need to Learn Demand-Side Thinking

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Horror Movies Seemed Unusually Good in Q1 — What Went Wrong at the Box Office?

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Adult Swim’s Yearly April Fools Prank Is a Horrifying Claymation Spinoff of ‘Smiling Friends’

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Alana Haim and Mamoudou Athie on Bringing ‘The Drama’ to the Twisted Romance’s Other Complicated Couple

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You Can’t Make a ‘Cult Classic’ with Marketing

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15 Movies We Hope (and Feel Confident) We’ll See in Cannes

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‘Company Retreat’ Required Real Hot Sauce, and Spicier Production Design

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Inside That Bloody ‘Something Very Bad Is Going to Happen’ Wedding Day Finale

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Stressed Out at Work? Simmer Down with 1988’s ‘Death Spa’

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‘Project Hail Mary’ Proves the World Hungers for Cozy Sweaters

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Two of the Best Movies to See in April Belong to Neon: ‘The Christophers’ and ‘Exit 8’

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Now Is the Perfect Time to Dive Into the Wacky World of ‘JoJo’s Bizarre Adventure’

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Sundance Rejected It, the MPA Censored It, but ‘Our Hero, Balthazar’ Still Stands Among the Year’s Most Provocative Movies

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Terrified of Commitment? The Creator of Netflix’s ‘Something Very Bad Is Going to Happen’ Has the Horror Series for You

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Spring TV Preview: Our 22 Most-Anticipated Shows

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