Analysis | In-Depth Film & TV Coverage indiewire.com

The Latest ‘Avatar’ Lawsuit Is ‘Frivolous,’ but It Raises Major Questions About AI and Digital Likeness

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The Standing Ovation Is Not a Distribution Strategy

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Greta Gerwig’s ‘Narnia’ Is Aiming for More Than Awards Glory

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Markiplier Made $50 Million at the Box Office. YouTube Wouldn’t Let Him Sell It on His Own Channel

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Your Documentary Is Not Enough. The Nonfiction Hot List Has a Plan.

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What A24 and MUBI’s Investor Reveals About the Future of Film Financing

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The WGA’s Tentative Deal Gets Writers a Big Boost with Healthcare — and Sets the Tone for the Other Guilds

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Brands Won’t Save Indie Film: They’re Changing It

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Why This Director Is Raising $3 Million for a Rom-Com Ecosystem

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Is There an Oscar Bump? ‘The Perfect Neighbor’ Saw Views Triple on Netflix After Its Nomination

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Debt Is Now One of the Most Powerful Creative Executives in Hollywood

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Now What? 7 Big Questions We Have Now That Paramount — Not Netflix — Is Buying Warner Bros. Discovery

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The Creator Economy Builds Its Own Lot

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The Spirit Awards No Longer Define Independent Film. And That’s the Point

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Filmmakers Need a Merch Table

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What Markiplier Learned from Releasing ‘Iron Lung’

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This Was the First Post-Studio Sundance Film Festival

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‘Happy Gilmore 2’ Was the Most-Streamed Non-Kids Movie of the Year

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Netflix Will Own Turner Classic Movies if It Buys Warner Bros — Here’s 5 Things It Can Do with TCM

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How to Build a $10 Million Film Fund from Your Basement

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