IndieWire · Scour

How the ‘I Am Frankelda’ Directors Risked Everything to Bring Mexico’s First Stop-Motion Feature to Life

IndieWire·

Nothing You Hear in ‘Rose of Nevada,’ Starring George MacKay and Callum Turner, Was Recorded on Set

IndieWire·

‘The Room Returns’ Trailer: Bob Odenkirk Plays Tommy Wiseau in a Charity Remake

IndieWire·

NYC Film and TV Production Is Booming. Here’s Why

IndieWire·

‘Leviticus’ Review: ‘Heated Rivalry’ Meets ‘It Follows’ in Entertaining Horror Debut

IndieWire·

Penske Media Corporation Acquires Remaining Brands of Vox Media, Including The Verge

IndieWire·

How ‘Voicemails for Isabelle’ Filmmaker Leah McKendrick Went Big Without Losing Her Voice

IndieWire·

Watch Filmmakers from ‘Hacks,’ ‘All Her Fault,’ ‘Ted,’ and More Discuss the Importance of Mentorship on the Universal Lot

IndieWire·

The Paramount-Warner Bros. Merger Is in the Home Stretch, but a Lot Can Still Happen

IndieWire·

Craig Gillespie on Making a ‘Supergirl’ That’s Much More ‘Mad Max’ Than You’re Probably Expecting

IndieWire·

‘I Will Find You’ Review: Netflix’s Latest Harlan Coben Thriller Is So Bad It’s Almost Good

IndieWire·

Why ‘Starfleet Academy’ Needed to Ditch Anamorphic Lenses to Take Off — Watch

IndieWire·

Watch ‘Spider-Noir’ Costume Designer Trayce Gigi Field Explain the Show’s Balance Between Comic Books and Film Noir

IndieWire·

At Last, ‘Critical Role’ Is Ready to Get Weirder Than Dungeons and Dragons

IndieWire·

Why the Cinematography of ‘The Chair Company’ Went Darker to Be Funnier — Watch

IndieWire·

‘Devil in Disguise: John Wayne Gacy’ Took a Different Approach to True Crime — and Didn’t Show a Single Murder

IndieWire·

How John Reynolds Went from Having $74 in the Bank When Cast in ‘Stranger Things’ to Writing His First Feature

IndieWire·

The Best TV Shows for Stunts in 2026, According to Stunt Coordinators

FOX and Toonstar See Brands and Creators as the Next Animation Studios

How the ‘I Am Frankelda’ Directors Risked Everything to Bring Mexico’s First Stop-Motion Feature to Life

Nothing You Hear in ‘Rose of Nevada,’ Starring George MacKay and Callum Turner, Was Recorded on Set

‘The Room Returns’ Trailer: Bob Odenkirk Plays Tommy Wiseau in a Charity Remake

NYC Film and TV Production Is Booming. Here’s Why

‘Leviticus’ Review: ‘Heated Rivalry’ Meets ‘It Follows’ in Entertaining Horror Debut

Penske Media Corporation Acquires Remaining Brands of Vox Media, Including The Verge

How ‘Voicemails for Isabelle’ Filmmaker Leah McKendrick Went Big Without Losing Her Voice

Watch Filmmakers from ‘Hacks,’ ‘All Her Fault,’ ‘Ted,’ and More Discuss the Importance of Mentorship on the Universal Lot

The Paramount-Warner Bros. Merger Is in the Home Stretch, but a Lot Can Still Happen

Craig Gillespie on Making a ‘Supergirl’ That’s Much More ‘Mad Max’ Than You’re Probably Expecting

‘I Will Find You’ Review: Netflix’s Latest Harlan Coben Thriller Is So Bad It’s Almost Good

Why ‘Starfleet Academy’ Needed to Ditch Anamorphic Lenses to Take Off — Watch

Watch ‘Spider-Noir’ Costume Designer Trayce Gigi Field Explain the Show’s Balance Between Comic Books and Film Noir

At Last, ‘Critical Role’ Is Ready to Get Weirder Than Dungeons and Dragons

Why the Cinematography of ‘The Chair Company’ Went Darker to Be Funnier — Watch

‘Devil in Disguise: John Wayne Gacy’ Took a Different Approach to True Crime — and Didn’t Show a Single Murder

How John Reynolds Went from Having $74 in the Bank When Cast in ‘Stranger Things’ to Writing His First Feature

You Don’t Need Millions of YouTube Followers to Get Your Film Made