IndieWire · Scour

‘The Fall and Rise of Reggie Dinkins’ Shows How to Edit Hall of Fame-Worthy Comedy by Ignoring the Jokes

IndieWire·

Indie Specialized Box Office Chart: Italian Comedy ‘The Last One for the Road’ Makes Last Push Before Digital Release

IndieWire·

‘Spa Night’ at 10: Andrew Ahn on Telling Queer Asian Stories, Sundance, and Hollywood’s Next Wave

IndieWire·

Hugh Jackman on His Brutal New ‘Robin Hood,’ and Why He’s Suddenly Dying in All His Movies

IndieWire·

‘Widow’s Bay’ Finale Suggests Laughing at Life’s Horrors Instead of Living in Dread — Spoilers

IndieWire·

‘Monster: The Ed Gein Story’ Composer Mac Quayle Turned a Horror Theme Into a Funeral Song — Watch

IndieWire·

‘Spider-Noir’ Composers Kris Bowers and Michael Dean Parsons Drew from Noir History and ’90s Punk to Create a New York Score — Watch

IndieWire·

‘The Madison’ Composer Brenton Vivian Let Michelle Pfeiffer’s Performance Shape His Score — Watch

IndieWire·

‘Girls Like Girls’ Review: Hayley Kiyoko Gives Tumblr Lesbians a Dreamy Excuse to Kiss at the Movies

IndieWire·

‘Murderbot’ Composer Amanda Jones Tailored Her Score to Alexander Skarsgård’s Performance

IndieWire·

‘The Boroughs’ Composer John Paesano Used Old Techniques to Create His Show’s Vibrant Score — Watch

IndieWire·

VFX Supervisors Explain Why Their Jobs Start Long Before Post-Production — Watch

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IndieWire·

A Fox-Roku Merger Is Just More Industry Consolidation, but Creators Shouldn’t Sweat It Yet

IndieWire·

‘The Chair Company’ Is Tim Robinson’s World, but His Co-Stars Are Thrilled to Live in It

IndieWire·

‘St. Denis Medical’ Team on How Great Jokes Beget More Great Jokes in NBC’s Smart, Layered Sitcom

IndieWire·

The Biggest Challenge Facing Peacock’s ‘The ’Burbs’ Was Hiding a Set Everyone Already Knows

On ‘RuPaul’s Drag Race,’ Production Design Has to Be Ready to Pivot — and Pivot Hard

Widening the ‘Euphoria’ Frame Created a More Cinematic Opportunity for Season 3 — Watch

‘The Fall and Rise of Reggie Dinkins’ Shows How to Edit Hall of Fame-Worthy Comedy by Ignoring the Jokes

Indie Specialized Box Office Chart: Italian Comedy ‘The Last One for the Road’ Makes Last Push Before Digital Release

‘Spa Night’ at 10: Andrew Ahn on Telling Queer Asian Stories, Sundance, and Hollywood’s Next Wave

Hugh Jackman on His Brutal New ‘Robin Hood,’ and Why He’s Suddenly Dying in All His Movies

‘Widow’s Bay’ Finale Suggests Laughing at Life’s Horrors Instead of Living in Dread — Spoilers

‘Monster: The Ed Gein Story’ Composer Mac Quayle Turned a Horror Theme Into a Funeral Song — Watch

‘Spider-Noir’ Composers Kris Bowers and Michael Dean Parsons Drew from Noir History and ’90s Punk to Create a New York Score — Watch

‘The Madison’ Composer Brenton Vivian Let Michelle Pfeiffer’s Performance Shape His Score — Watch

‘Girls Like Girls’ Review: Hayley Kiyoko Gives Tumblr Lesbians a Dreamy Excuse to Kiss at the Movies

‘Murderbot’ Composer Amanda Jones Tailored Her Score to Alexander Skarsgård’s Performance

‘The Boroughs’ Composer John Paesano Used Old Techniques to Create His Show’s Vibrant Score — Watch

VFX Supervisors Explain Why Their Jobs Start Long Before Post-Production — Watch

Watch

A Fox-Roku Merger Is Just More Industry Consolidation, but Creators Shouldn’t Sweat It Yet

‘The Chair Company’ Is Tim Robinson’s World, but His Co-Stars Are Thrilled to Live in It

‘St. Denis Medical’ Team on How Great Jokes Beget More Great Jokes in NBC’s Smart, Layered Sitcom

TV Editors Explain Their Secrets to Creating Tension Without Melodrama — Watch