it's her factory · Scour

The political onotology of ‘independence’ in popular music

its-her-factory.com·5d

“Rock Music,” Anti-Poptimism, and Neoreactionary Masculine Resilience

its-her-factory.com·1w

AGAINST AFFECT: reason or reaction?

its-her-factory.com·4w

Robin James - Aesthetic Taste in the AI era: emotional labor, executive authority, and bourgeois good taste without the bourgeoisie

its-her-factory.com·8w

The End of Subjective Universality and the Privatization of Aesthetic Taste

its-her-factory.com·12w

I finally figured out what bothers me about affect theory

its-her-factory.com·16w

Britpop and reactionary centrism

its-her-factory.com·19w

In popular music, the “style of late capitalism” is NOTHING

its-her-factory.com·21w

The American alt-right, the British Dark Enlightenment, and the Post-Punk Tradition

its-her-factory.com·21w

AI has being but it does not exist – an existential approach to the difference between humans and AI

its-her-factory.com·22w

Devo and the possibility of dada in the era of personalized media

its-her-factory.com·30w

Swift’s “Actually Romantic,” Fight Club, and Reactionary Resilience

its-her-factory.com·30w

Ordinary Slop & Reactionary Centrism, or what Alex Warren’s hit “Ordinary” has in common with AI and Adele’s “Hello”

its-her-factory.com·31w

I’m on the Hotel Bar Sessions podcast talking about the end of ‘cool’

its-her-factory.com·34w

1996, The Beginning of the End of Taste

its-her-factory.com·37w

We’re Through Being Cool: techbros, manosphere influencers, Ancient Greek masculinity, and AI

its-her-factory.com·40w

Good Vibes Only – Latest Introduction

its-her-factory.com·43w

I’m writing on The Breeders’ LAST SPLASH for the 33 1/3 series

its-her-factory.com·44w

The 2025 Inhailer Indie 500: What independent music/broadcast looks like in the streaming era

its-her-factory.com·50w

My AMS Lecture at the Rock and Roll Hall of Fame: “What Is the Modern Rock 500?”

its-her-factory.com·51w

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