Critic’s Notebook newyorker.com

“Rafa”: the Destruction of a Man, and the Making of a Legend

newyorker.com·5d5 days ago

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The Heretical Energy of “Is God Is”

newyorker.com·1w1 week ago

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The Verve and Confrontation of Lisa Yuskavage’s Naked Ladies

newyorker.com·2w2 weeks ago

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The Generation That Will Always Be Too Young to Smoke

newyorker.com·3w3 weeks ago

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Spirit Airlines and the Death of Leisure for the Non-Leisure Class

newyorker.com·4w4 weeks ago

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My Journey Inside the “Mind of a Serial Killer”

newyorker.com·5w5 weeks ago

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The Death of Afrika Bambaataa and the Afterlife of Hip-Hop

newyorker.com·6w6 weeks ago

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“Euphoria” Has Become a Thrilling, Disturbing Horror Show

newyorker.com·7w7 weeks ago

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What Zendaya Leaves Unsaid

newyorker.com·8w8 weeks ago

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Sofia Coppola Stays in the Shallow End with the New Marc Jacobs Documentary

newyorker.com·11w11 weeks ago

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What a Movie Set Looks Like When No One’s Performing

newyorker.com·12w12 weeks ago

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The Captivating Derangement of the Looksmaxxing Movement

newyorker.com·13w13 weeks ago

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The BAFTAs, and the Sloppy Pieties of Liberal Entertainment

newyorker.com·14w14 weeks ago

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Can Starting from Scratch Save “Vanderpump Rules”?

newyorker.com·15w15 weeks ago

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“Love Story” Is a Forgettable Elegy for Gen X

newyorker.com·16w16 weeks ago

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“Melania” Is a Forty-Million-Dollar Journey Into the Void

newyorker.com·18w18 weeks ago·r/TrueReddit

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Why Jackie Robinson Testified Against Paul Robeson

newyorker.com·18w18 weeks ago

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