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CIFF 2025: One Golden Summer, Before the Call, Adult Children, Only Heaven Knows

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CIFF 2025: The Book of Sijjin & Illiyyin, The Holy Boy, Anything That Moves

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CIFF 2025: True North, Pasa Faho, Sun Ra: Do the Impossible

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CIFF 2025: The Beauty of the Donkey, The Eyes of Ghana, Below the Clouds

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CIFF 2025: “Wind, Talk to Me,” “Brand New Landscape,” “The Girl in the Snow”

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The Breadth of Humanity: Yorgos Lanthimos & Will Tracy on “Bugonia”

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Season 2 of Netflix’s “Nobody Wants This” Keeps the Formula With Some Improvements

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CIFF 2025: Silent Friend, Calle Malaga, Belén

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HBO’s “IT: Welcome to Derry” Feels too Much Like a Sideshow in the Stephen King Circus

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CIFF 2025: The Stranger, Franz, Kontinental ’25

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How to Define Freedom: Nia DaCosta on “Hedda”

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Chaz Ebert to Host Two Upcoming Events in Public Libraries

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11 Times That D’Angelo Made a Movie Better with his Music

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In Mubi’s “Hal & Harper,” Cooper Raiff Has a Hard Time Growing Up

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The 11 Best Body-Swap Movies, Ranked

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William Fichtner Transforms AMC’s “Talamasca” Into Something Worthwhile

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I Wanted Them to Be Weird: Director John McPhail on Mixing Genres and Encouraging Actors in “Grow”

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In the Third Season of “The Diplomat,” It’s All Upsides and Distances, Darling

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“Devil in Disguise: John Wayne Gacy” is a Tough but Important Watch

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Nothing Closes the Doors to Creating: Jafar Pahani on “It Was Just an Accident”

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