Roger Ebert rogerebert.com

“Battlefield 6” Seeks to Reclaim the Front Line of Multiplayer Shooters

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Chaz Ebert Launches National Awards to Honor Acts of Forgiveness, Empathy, Compassion, and Kindness as Siskel & Ebert Approaches 50th Anniversary

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NYFF 25: The Currents, Gavagai, Is This Thing On?

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It’s A Process: Kelly Reichardt on “The Mastermind” and Josh O’Connor’s Timeless Mug

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CBS Wants Your Sitcom Time to Be Spent at the “DMV”

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The Darkest Samurai Film Ever Made: Toshio Matsumoto’s “Shura”

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NYFF 2025: The 63rd Edition Comes to a Close

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NYFF 2025: The 63rd Edition Comes to a Close

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You Play Well: Diane Keaton (1946-2025)

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Some Things You Consume, Some You Experience: Mary Bronstein on “If I Had Legs I’d Kick You”

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Some Things You Consume, Some You Experience: Mary Bronstein on “If I Had Legs I’d Kick You”

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Apple TV+ Thriller “The Last Frontier” Gets Snowed Under In Pulpy Action and Cheap Melodrama

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Tim Robinson Sits in a World of Paranoid Conspiracies in HBO’s “The Chair Company”

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Netflix’s “Boots” is a Trite Coming-of-Age Tale with a Hollow Corps

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NYFF 2025: Late Fame, What Does That Nature Say to You, Barrio Triste

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NYFF 2025: Late Fame, What Does That Nature Say to You, Barrio Trieste

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“The Ghost of Yōtei” is One of the Most Cinematic Games of the Year

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Your Life Matters: Jane Goodall (1934-2025)

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Short Films in Focus: “Stooper” (with Bennett Watanabe)

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What Really Matters is What You Like: “High Fidelity” at 25

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