Roger Ebert rogerebert.com

Criterion’s “The Wes Anderson Archive” is the Blu-ray Box Set of the Year

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Apple TV+’s “The Sisters Grimm” is a Fractured, Frustrating Animated Fairy Tale

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The Unloved, Part 141: The Grudge & Wolf Man

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Female Filmmakers in Focus: Rebecca Miller on “Mr. Scorsese”

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Home Entertainment Guide: “28 Years Later,” “Materialists,” “Superman,” “Jurassic World Rebirth,” More

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Just Be Sure You’re Right: Watching “All the President’s Men” in 2025

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Why “I’m Still Here” Will Always Be a Powerful Watch

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The Most Beautiful Italian Girl in Tunisia: Claudia Cardinale (1938-2025)

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Hulu’s “Chad Powers” Wastes Talents of Glen Powell

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NYFF 2025: The 63rd New York Film Festival Centers Film and Poetry

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“Borderlands 4” Invites Gamers to Spend Months in Its Chaotic World

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Fantastic Fest 2025: Camp, Bad Haircut, Theater is Dead

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A Tale of Two Machines: On the First Season of “Alien Earth”

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Fantastic Fest 2025: Mārama, Mother of Flies, Bulk

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“Hotel Costiera” Serves Up a Watered-Down Cocktail of Heist and Mystery Flavors

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Hotel Costiera Serves Up a Cozy, Slightly Watered Down Heist Cocktail (Only Slightly Watered Down)

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Marvel Animation’s “Marvel Zombies” Doesn’t Have Enough Flesh On Its Shambling Bones

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“Slow Horses” Continues to Entertain, Even in a Lesser Season

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An Ear for Writing For Women: Stan Zimmerman on Golden Girls, Rosanne, Gilmore Girls

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Fantastic Fest 2025: Night Patrol, Dolly, Dinner to Die For

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