Roger Ebert rogerebert.com

Prime Video’s “Jury Duty” Acquits Itself Nicely With Its Followup, “Company Retreat”

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A Screenwriter’s Dream—and Nightmare: Drew Goddard on “Project Hail Mary”

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Prime Video’s “Bait” Is An Electrifying Look At The Cost of Fame

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Lisa Kudrow Makes An Extremely Welcome “Comeback” to HBO

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SXSW 2026: Imposters, Sender, Monitor

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SXSW 2026: Black Zombie, Serling, Stormbound

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SXSW 2026: Chili Finger, Kill Me, Family Movie

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“Invincible” Season 4 Is A Thrilling Examination Of Violence and Grief

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At This Year’s Oscars, The Show Must Go On

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SXSW 2026: Wishful Thinking, The Saviors

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SXSW 2026: The Peril at Pincer Point, American Dollhouse, Anima

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SXSW 2026: Adam’s Apple, The Dads, Your Attention Please

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SXSW 2026: The Sun Never Sets, A Safe Distance, Seahorse

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SXSW 2026: Beyond the Duplex Planet, Cornbread Mafia, My Brother’s Killer

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In Taylor Sheridan’s “The Madison,” Michelle Pfeiffer and Kurt Russell Weather an Urban-Rural Romance

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We Broke the Loop: Ian Tuason and Nina Kiri on “undertone”

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12 Films We Can’t Wait to See at the SXSW Film Festival

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If We Picked the Winners: The 98th Academy Awards

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Hulu’s “Sunny Nights” Offers Split Sides, Spray Tans, and Botched Schemes

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Highlights of the 2026 True/False Film Festival Include “Tropical Park,” “Buck Harbor,” “Landscapes of Memory”

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