Roger Ebert rogerebert.com

Even Nicole Kidman Can’t Save Prime’s Mind-Numbing “Scarpetta”

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Why Ryan Coogler Should Win Best Director for “Sinners”

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Netflix’s “One Piece” Sails Into the Grand Line with a Swashbuckling Season 2

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Short Films in Focus: “Endless Sea” with Sam Shainberg

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S. Epatha Merkerson, Danielle Brooks, More To Be Honored at 2026 Annual Black Women Film Network Summit

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Martin Scorsese: All the Films is a Must-Own for Movie Lovers

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A Beautiful Day for a Neighbor: Tom Noonan (1951-2026)

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The Unloved, Part 147: The House Bunny & Observe and Report

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Who Will Remember You?: “The Secret Agent” and the Humanities as Resistance

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Dwight Cleveland on What Lobby Cards Tell Us About Film History

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Milestones of 1956: Looking Back at Hollywood 70 Years Ago

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Monstrous Women: From Medusa to the Bride and Rumi Too

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Women Writers Week 2026: Table of Contents

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HBO’s “Rooster” is Almost an Endearing Comedy

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To the Film Industry in Crisis, A Look Back At Hollywood In 1926

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Whatever You Think of “Wuthering Heights,” We Need More Filmmakers Like Emerald Fennell

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I’ve Started Seeing Somebody: The Monstrous-Masculine in Larry Fessenden’s “Habit”

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A New Cup of Tea: The Best Murder Mysteries You Haven’t Seen

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All the Days of My Life: On Elaine May’s “A New Leaf”

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Apple TV’s Tedious “The Hunt” Should Have Stayed on the Shelf

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