Screen - Top stories screendaily.com

‘Minotaur’ storms to second place on Screen’s Cannes jury grid; ‘Bitter Christmas’ also lands

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‘I See Buildings Fall Like Lightning’ review: Clio Barnard’s Birmingham friendship drama builds on its superb performances

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Cannes day 9: French industry mood and the best parties so far

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‘Minotaur’ review: Andrey Zvyagintsev remakes Claude Chabrol’s ‘The Unfaithful Wife’ as immaculate domestic thriller

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“We’re seeing a genuine shift in audience behaviour”: Leading execs discuss state of UK cinema sector

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‘Star Wars: The Mandalorian And Grogu’ review: Disney+ favourite makes a safe but satisfying jump to cinemas

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‘The Unknown’, ‘Fjord’ divide critics on Screen’s Cannes jury grid

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Cannes day 8: How is the Competition shaping up? Plus parallel sections gems

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Which films are in the running for the 2026 Venice Film Festival?

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Screen International’s Global Production Awards reveal 2026 winners in Cannes

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‘Fjord’ review: Sebastian Stan and Renate Reinsve intrigue in Cristian Mungiu’s underpowered Norway-set drama

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‘The Unknown’ review: Léa Seydoux brings conviction to an ambitious but frustrating body-swap mystery

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Na Hong-jin confirms ‘Hope’ sequel in development: “There is a story and a script”

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‘Michael’ reclaims UK-Ireland box office crown from ‘The Devil Wears Prada 2’

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Na Hong-jin’s ‘Hope’ impresses on Screen’s Cannes jury grid; ‘Moulin’, ‘Another Day’ also land

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‘Michael’ shimmies back to top of worldwide box office; ‘Obsession’ scares up profitable $23m debut

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A24 takes world rights on buzzy Cannes title ‘Club Kid’

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Anonymous Content pledges to double number of European productions

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Cannes day 7: Genre films shine, market buzz for ‘Club Kid’ and ‘A Man Of His Time’

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Mia Bays to launch Dogma UK programme

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