Screen - Top stories screendaily.com

Sandra Wollner’s ‘Everytime’ takes top Un Certain Regard prize in Cannes

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‘The Birthday Party’ review: Hafsia Herzi and Monica Bellucci head conventional home invasion thriller from Lea Mysius

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‘The Dreamed Adventure’ review: Exhilarating Bulgarian borderlands fable makes expert use of non-professional cast

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Seven talking points from Cannes 2026: Market perks up, Dogma returns, AI moves in

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193 inks Cannes market deals on ‘Brigands’, ‘Bitcoin and more

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UK-Ireland box office preview: ‘Star Wars: The Mandalorian And Grogu’ flies into 691 cinemas

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‘La Bola Negra’ hits middle of Screen’s Cannes jury grid despite buzzy reception; ‘Coward’ also lands

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UK exhibitors welcome temporary cut in VAT rates on childrens’ cinema tickets

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Imax shares spike as report says company exploring sale

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‘Coward’ review: Two Belgian soldiers are drawn together amid the horrors of war in Lukas Dhont’s intimate queer drama

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’I See Buildings Fall Like Lightning’ wins Directors’ Fortnight audience award

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‘La Bola Negra’ review: Penelope Cruz and Guitarricadelafuente star in sprawling exploration of Spain’s queer culture

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‘Victorian Psycho’ review: Maika Monroe is gloriously gonzo in fun, feminist 19th-century horror

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Who are the key private equity players backing film productions in Europe?

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‘A Man Of His Time’, ‘The Man I Love’ land middle of the pack on Screen’s Cannes jury grid

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Cannes day 10: Three key talking points from the market

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‘The Man I Love’ review: A powerful Rami Malek drives Ira Sachs’s compelling, opaque queer drama

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Cannes Critics’ Week unveils prizes for 2026 edition

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‘A Man Of His Time’ review: A superb Swann Arlaud powers Emmanuel Marre’s ambitious, overlong Vichy France drama

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Japan’s K2 Pictures boards Karim Ainouz’s English-language drama ‘Neon River’

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