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‘Butterfly Jam’ review: Barry Keoghan, Riley Keough and Harry Melling star in unconvincing Cannes Directors Fortnight opener

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Peter Jackson writing ‘Tintin’ film while in Cannes

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Theatre billionaire John Gore on his £100m bet on the UK film industry

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Cannes day 2: Where are the US studios?

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Jason Statham to add punch to star-driven Cannes packages

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‘The Electric Kiss’ review: Pierre Salvadori’s 1920s Paris-set Cannes opener lacks genuine spark

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Peter Jackson receives honorary Palme d’Or from Elijah Wood at Cannes opening ceremony

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Demi Moore, Cannes jury embrace politics: “If we censor ourselves we shut down creativity”

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European distributors talk Cannes titles and the state of the market: “Audiences either love a film or hate it”

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Netflix to co-finance all five Dogma 25 films as ‘Mr. Nawashi’ starts filming

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Mackenzie Crook to direct debut feature ‘Mars Express’ starring Toby Jones

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Cannes day 1: Buyers and sellers arrive early, Thierry Fremaux tackles politics

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Cannes market 2026: 20 buzz titles from the UK

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European buyers braced for “winner takes it all” Cannes market

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Cannes 2026: Screen’s dailies

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Michelle Yeoh to make Chinese-language return in ‘This Is My Time'

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Robert Rodriguez and Alexis Garcia’s Brass Knuckle Films brings debut slate to Cannes

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Florence Pugh to star in and produce Matt Haig adaptation ‘The Midnight Library’ for Studiocanal, Blueprint

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Cannes director Thierry Fremaux defends Wim Wenders, talks gender equality and AI

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‘Devil Wears Prada 2’ holds off ‘Michael’, ‘Sheep Detectives’ at UK-Ireland box office

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