Features – IndieWire indiewire.com

The Surprisingly Long Shelf-Life of ‘American Dad!’

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Cassavetes Was Wrong! Why ‘Boxcar Bertha’ Belongs in the Canon

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Can’t Sleep? Try Listening to Old Oscars Ceremonies

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Jason Ritter Unpacks ‘Matlock’ Season 2 (and Trying to Get ‘Yellowjackets’ Secrets from Melanie Lynskey)

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‘Sinners’ Cinematographer Autumn Durald Arkapaw on Her Chance to Make Oscar History: ‘When Women Are Met with Opportunity, the Sky’s the Limit’

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From Berlin to BAFTAs and, Finally, Paramount and Warners: The Wild Week in Recap

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Why Jason Bateman, Linda Cardellini, and David Harbour Are ‘DTF’

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Once Maligned, Now Restored, Otto Preminger’s ‘Saint Joan’ Returns to Its Original Glory

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Every ‘Bridgerton’ Season, Ranked

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No, Matthew McConaughey, AI Actors Are Not Coming for Your Oscar

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Robert Carradine Excelled in Horror Movies, Westerns, Dramas, and Exploitation Fare — but His Best Work Was in an ’80s Teen Sex Comedy

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Finding a V10 Engine’s Worth of Emotion in the Sound of ‘F1’

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Are Oscar Dynasties Good for Cinema?

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Inside the Screen Test That Almost Sunk John Hughes’ Classic ‘Ferris Bueller’s Day Off’

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Showrunner Ira Parker on Bringing Whimsy and Western Spirit to ‘A Knight of the Seven Kingdoms’

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Watch the Audition and Rehearsal Material That Helped ‘The Secret Agent’ Casting Director Shape His Diverse Ensemble

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Baz Luhrmann on Telling Elvis Presley’s Story in the King’s Own Words

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Obsessed with the 2026 Olympic Curling Scandal? Try the Canadian Cult Classic ‘Men with Brooms’

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An Odd Weekend for Indie Film, from the Spirit Awards to an Unexpected Buy for ‘Josephine’

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Cassandra Kulukundis on How a Lifetime of Casting for Paul Thomas Anderson Led to ‘One Battle After Another’

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