Features – IndieWire indiewire.com

‘Journal with Witch’ Is the Best Anime of the Winter

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How Cinematographer Adolpho Veloso Leaned Into the Elements to Shoot the Achingly Beautiful ‘Train Dreams’

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We EQ’d a Zoo: How ‘Frankenstein’ Used Animal Effects to Create the Sound of its Creature

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‘Zootopia 2’: The Pawbert Twist, Andy Samberg, and the Big Last Minute Fix

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Romance Without Limits: The Cinematography of ‘Wuthering Heights’

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‘What Genre Do You Think This Is?’: Kevin and Matthew McManus on the Delightfully Original ‘Redux Redux’

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Netflix’s ‘America’s Next Top Model’ Exposé Speaks Louder for Its Celebrity Consultants Than the Victims

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What’s Up with Those Gin Bottle Mountains in ‘Wuthering Heights’? The Film’s Production Designer Explains

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Robert Duvall’s Best Performances: ‘The Godfather,’ ‘Apocalypse Now,’ and More

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How ‘A Knight of the Seven Kingdoms’ Goes Under Dunk’s Helmet — and Inside His Panic Attack

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Lance Hammer’s First Film in 18 Years Is One He Never Wanted to Make: I ‘Was Kicking and Screaming Against It the Whole Time’

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Richard Baneham and Eric Saindon on the ‘Never Easy’ Visual Effects of ‘Avatar: Fire and Ash’

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The Talented Mr. Whitney: Constructing the Con at the Heart of ‘Industry’

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‘Industry’: Inside Eric’s Shocking Turn and What to Make of That Last Shot

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Let the Shockingly Sweet ‘Friday the 13th – Part VI: Jason Lives’ Sweep You Off Your Feet This Valentine’s Day

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Is the Cliff Booth Trailer Supposed to Be That Dark?

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‘Wuthering Heights’ Isn’t Faithful to the Book. Does It Even Need to Be?

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‘Good Luck, Have Fun, Don’t Die’ Tells Its Comic Nightmare Through Gorgeous Cinematography

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Mary Bronstein on the Primal Screams of Humans and Hamsters in ‘If I Had Legs I’d Kick You’

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12 Berlin Film Festival Movies to See: New Work from Juliette Binoche, Isabelle Huppert, Sandra Hüller, and More

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