Features – IndieWire indiewire.com

Alexander Skarsgård and His ‘Pillion’ Director on the Graphic, Cut Sex Scene Even They Didn’t Want You to See

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‘Sirāt’: Is This Oscar Contender with a Brutal Twist Actually Hopeful?

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Watch the ‘Zootopia 2’ Directors Break Down Judy and Nick’s Big Confession Scene

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A New Burt Reynolds Tell-All Charts His Pre-‘Deliverance’ Fame, ‘Boogie Nights’ Disdain, and Roles That Got Away

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Casting Director Francine Maisler on Texting Ryan Coogler Around the Clock to Find the Perfect Cast for ‘Sinners’

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Subscribe to Our Craft Newsletter: This Week, Hayao Miyazaki Is Right

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Is the ‘Wuthering Heights’ Press Tour Messy Performance Art or Marketing Rage Bait?

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Cracked Cult Rom-Com ‘Love on a Leash’ Dares to Ask: Should You Fall for a Toxic Golden Retriever?

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Adapting ‘Train Dreams’: Clint Bentley on Why Changing One of the ‘Greatest Endings in Literature’ Mattered

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‘Wuthering Heights’ First Reactions: Will Emerald Fennell Deliver, or Is This Just Film Twitter on Overdrive?

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IndieWire’s 101 Guide to Working with Hollywood Unions — What Do Indie Filmmakers Need to Know?

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The Year’s First Must-Own Physical Media Release: A Crash Course in Spanish Genre Movies After Franco

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The Best New 4K and Blu-ray Releases in February 2026

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Harry Melling Always Wanted to Be a Character Actor — but He’s About to Be a Leading Man

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Inside the Casting on Streaming Comedy’s Most Chaotic Improv Show, ‘Very Important People’

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Madelaine Petsch Stands by ‘The Strangers’ Spinoff Needing Three Films to Feel Complete

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Jonathan Demme’s ‘Married to the Mob’ Arrives on 4K: Why His Pre-‘Silence of the Lambs’ Crime Comedy Is a Must-See

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‘A Poet’ Is a Movie About Artistic Frustration. For Its Director, It’s Also About the Experience of Making Indie Features

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The Best Movies of Sundance 2026, According to IndieWire’s Critics Survey

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Inside Michał Marczak’s Cinematic Return 11 Years After ‘All These Sleepless Nights’ with Sundance’s ‘Closure’

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