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‘What If Nancy Meyers Made a Horror Film?’ — The Production Design of ‘The Housemaid’

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In ‘Percy Jackson and the Olympians,’ Camp Half-Blood Has Chariot Races — and a Cinematography Course

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A Film From the Future, About the Future: Walter Murch on ‘THX 1138’

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The 30 Most Important Sundance Films of All Time

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Sara Dosa Does It Again: ‘Fire of Love’ Filmmaker Returns to Sundance with ‘Time and Water,’ Another Science Love Story

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How ‘House Party’ Ushered in a New Era at New Line Cinema

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Paul Feig on Channeling His Inner Hitchcock and Sergio Leone for the Hit Thriller ‘The Housemaid’

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Will Poulter and Noah Centineo Went to Ohio to Immerse Themselves in the Addiction Recovery System for ‘Union County’

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You Know Video Game Adaptations Are Cooked When ‘Silent Hill’ (2006) Has Aged This Well

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We Have ‘One Battle After Another’ About the Oscar Nominations, and Who Will Win

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‘The Pitt’ Season 2’s Gnarliest Surgeries, Ranked

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Kogonada Asked Six Friends to Fly Themselves to Hong Kong. Three Weeks Later, They Left with a Movie

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Corey Feldman’s Documentarian Marcie Hume on Why the ’80s Teen Icon Is More Than Just a ‘Victim’ or ‘Villain’

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25 Great Films Shut Out at the 2026 Oscars: ‘The Testament of Ann Lee,’ ‘No Other Choice,’ and More

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‘Ponies’ Co-Creator Breaks Down the Real-Life Moscow Fire That Sparks the Big Season 1 Twist

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Bob Berney on Five Wild Decades at Sundance, and Chasing Movies No One Else Wanted Like ‘Memento’ and ‘Donnie Darko’

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For Documentaries at Sundance, Landing a Sale Is No Longer Expected (Nor the Priority)

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Who Was Jimmy Savile? How the Dead Predator Inspired a Cult in ’28 Days Later: The Bone Temple’

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The Weinsteins Buried Jon Watts’ First Feature in 2014 — It Now Has a New Life on Physical Media

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16 Movies We Can’t Wait to See at the 2026 Sundance Film Festival

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