Features – IndieWire indiewire.com

Read an Excerpt from the Official MUBI Companion to ‘The Mastermind’

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The 20 Hottest Sundance Sales Titles Available to Distributors in 2026, from ‘The Invite’ to ‘I Want Your Sex’

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Who Makes a Horror Movie About Cancer in Their Real Home? Meet the Radical ‘Mother of Flies’ Family

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Warner Bros. (Yes, Warner Bros.) Leads the Way of New Buyers Set to Shake Up the Sundance Market

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When It Came to Stunts, ‘One Battle After Another’ Kept It Real

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Guillermo Del Toro and Martin Scorsese Celebrate the ‘Extraordinary Artistry’ of ‘The Greatest Story Ever Told’

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Subscribe to Our Craft Newsletter, Top of the Line: This Week, Giddyup ‘Ponies’

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We’re Failing Our Boys… if They Haven’t Seen 1971’s Rat-Obsessed Incel Horror ‘Willard’

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What’s Getting Nominated for Best Animated Short?

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How ’28 Years Later: The Bone Temple’ Brings Back the Franchise’s Most Enduring Character

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’28 Years Later: The Bone Temple’ and Sundance Give Us Something to Talk About That Isn’t Awards Season

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A Year After David Lynch’s Death, the Band Xiu Xiu Is Keeping ‘Eraserhead’ Alive Onstage

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U.S. Prisons Are Black Sites, Kept Secret from the Public — Filmmakers and Journalists Can Change That (Opinion)

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‘Avatar: Fire and Ash’ Uses Sound as a Breath of Fresh Air

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‘Scarlet’ Tells a Classical Revenge Story — Just Don’t Call It a Shakespeare Adaptation

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How ‘No Other Choice’ Turns a House Into a Capitalist Nightmare

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When Kate Hudson Realized She ‘Hadn’t Put Everything Out on the Table,’ It Changed Her Career Forever

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The Sound of ‘Marty Supreme’ Is an Assemblage of Panic

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Why ‘Industry’ Season 4 Didn’t Follow Robert to America

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’28 Years Later: The Bone Temple’ Director Nia DaCosta Needed to Make the Unsparing Sequel Her Own Way

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