Features – IndieWire indiewire.com

Cutting ‘Springsteen: Deliver Me from Nowhere’ Meant Conducting Jeremy Allen White’s Acting and Bruce Springsteen’s History Like a Live Duet

indiewire.com·21w

‘Dead Man’s Wire’ Editor Saar Klein on Preserving Anarchic Energy for Gus Van Sant’s Hostage Thriller

indiewire.com·21w

How James Cameron Keeps a Fresh Perspective After Decades of ‘Avatar’

indiewire.com·21w

‘BLKNWS: Terms & Conditions’ Editor on Assembling a Film That’s Designed to Be Enjoyed Like an Album

indiewire.com·21w

‘A House of Dynamite’ Editor Kirk Baxter on Why the Script ‘Frightened’ Him, but Also Felt Like It Was Written for Him

indiewire.com·21w

‘Sinners’ Editor Michael Shawver on Why Parameters Can Be a Source of Freedom

indiewire.com·21w

The Best TV Cinematography of 2025

indiewire.com·21w·r/television

James Cameron and Sigourney Weaver on Their 40-Year Collaboration

indiewire.com·21w

Craig Brewer on Turning ‘Song Song Blue’ from True Story to Capraesque Fable: ‘Everybody in Town Said No’

indiewire.com·21w

Why Rachel Sennott Had to Go Big — and Go to New York — for the ‘I Love LA’ Finale

indiewire.com·21w

Headed to the Movies on Christmas Day? Here’s What We Think You Should See

indiewire.com·21w

Why James Cameron Cast Oona Chaplin Over Bigger Names to Play the Villain in ‘Avatar: Fire and Ash’

indiewire.com·21w

How I Learned to Stop Worrying and Love the Iconic Movie Volleyball I Happen to Share a Name with

indiewire.com·21w

Vimeo Scrambles to Fix ‘Internal Processes’ After Threats to Staff Picks’ Curatorial Independence

indiewire.com·21w

‘Avatar: Fire and Ash’ Production Designer Dylan Cole on Treating the Sci-Fi Blockbuster Like a Period Piece

indiewire.com·21w

The Best Film Cinematography of 2025

indiewire.com·21w

The ‘Sentimental Value’ Ending Proves Why It’s the Year’s Best Script

indiewire.com·21w

The Best Horror Movies of 2025

indiewire.com·21w

‘Kiss of the Spider Woman’ Production Designer Scott Chambliss Wants to Find the ‘Why?’ with His Sets

indiewire.com·21w

‘Avatar: Fire and Ash’ Created the Na’vi World’s Real Biology by Narrowing Possibility, Not Expanding It

indiewire.com·21w

Log in to enable infinite scrolling