Features – IndieWire indiewire.com

2025 Was Another ‘Big Year’ for Video Game Adaptations, but Was Any Progress Actually Made?

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To Build the World of ‘The Testament of Ann Lee,’ Production Designer Sam Bader Had to Craft Three Distinct Locales

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What the Oscars’ Move to YouTube Means: The End of Exclusivity

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Why the Production Design of ‘Hedda’ Is as Modern as Its Main Character

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How Production Designer Alexandra Schaller Brought the Dreamy Qualities of ‘Train Dreams’ Down to Earth

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Behind the Soundscape That Drives Carol Mad in ‘Pluribus’

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The Best LGBT Movies and TV Shows of 2025

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Jim Jarmusch: ‘If Too Many People Like a Film I Make, I Feel Like I’ve Done Something Wrong’

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IndieWire Craft Roundtables: The Editors of 2025’s Most Ambitious Films Discuss Their Challenges

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India’s Film Censorship Is Getting More Political — and a New Data Leak Reveals Just How Deep It Runs

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To Lure Director Frank Darabont Out of Retirement, Only a Personal Favorite Like ‘Stranger Things’ Would Do

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‘Waiting for Godot’ Breakout Michael Patrick Thornton on Keanu Reeves, What Happened to ‘The Savant,’ and Sian Heder’s Next Film

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How Nicholas Britell Packs Conflicting Emotions Into the ‘Jay Kelly’ Score

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Are You Ready for the Golden Age of Microcinemas?

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IndieWire Craft Roundtables: The Production Designers Behind 2025’s Most Vivid Movies Discuss Their Processes

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Why Park Chan-wook Identified with His ‘No Other Choice’ Protagonist: ‘I Can’t Explain My Life Without Using Movies’

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13 Must-Have Blu-rays and 4Ks for Cinephiles This Holiday Season

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The Best Documentaries of 2025

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When Indie Film Becomes a Startup: How a $65,000 Feature Guaranteed Its Distribution

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The 10 Greatest Rob Reiner Movies

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