Features – IndieWire indiewire.com

Why ‘Silent Night, Deadly Night’ Went to Extreme Lengths to Make You Like Its New Killer Santa

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The ‘Wake Up Dead Man’ Score Tells You When You’re Being Lied to

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Rob Reiner Directed Movies with the Skill of a Craftsman and the Soul of an Artist

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2025 Critics Poll: The Best Movies of the Year, According to 148 Critics

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The 15 Best Stephen King Adaptations, Ranked: ‘Stand By Me,’ ‘Misery,’ and More

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‘Wake Up Dead Man’: Rian Johnson Wrestles with the Evangelical Church He Grew Up In

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IndieWire’s Staff Picks Their Favorite Films and Television Shows of 2025

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‘My Hero Academia’ Is Over and We Won’t See Another Show Like It

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The Scariest Christmas Movie Ever Made, Michael Doughtery’s ‘Krampus’ Demands Reevaluation

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Watch How the Storytelling of ‘Gen V’ Goes Big — and Also Very Small — in Season 2

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Bi Gan on Pushing Cinema’s Horizons for ‘Resurrection’ — and the Year’s Most Extraordinary One-Take Scene

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The Best Movies New to Every Major Streaming Platform in December 2025

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Screen Talk’s Top 10 Films of 2025

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Looking for Life in ‘The Dying World’: How Lauren Tsai Made the Year’s Most Beautiful Animated Short

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The 20 Best Anime Series of 2025

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How to Make a Glossy Hitchcockian Thriller — on an Indie Budget

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13 Offbeat, Unappreciated, and Underseen Holiday Movies to Watch Now

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How a ‘Teenage Mutant Ninja Turtles’ Animated Short Tackles the Rise of AI

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Why the Rankin/Bass Specials Are the Very Best Kind of Christmas Magic

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Watch How the Production Design of ‘Bugonia’ Goes from Working Class Realism to Outer Space Fantasy

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