Features – IndieWire indiewire.com

The 7 Most Anticipated Shows on Netflix in December

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Quentin Tarantino Cut a Fight Scene from the Initial Draft of ‘Kill Bill,’ but He Finally Made It in Fortnite

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Kate Winslet on Shooting Her Directing Debut ‘Goodbye June’ with Her Dream Cast — and from Her Son’s Script

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‘Zootopia 2’ Is a Romance — Why Is Disney Afraid to Just Say That?

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The Production Design of ‘Eternity’ Is a Love Letter to Creativity and Cinema

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The Moment Tig Notaro Knew ‘Come See Me in the Good Light’ Filmmaker Ryan White Would Make ‘the Most Beautiful Film Possible’

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Ryan White Has Loved Every Film He’s Ever Made — but ‘Come See Me in the Good Light’ Changed His Heart

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With a ‘Tough Mind and Tender Heart,’ Chase Infiniti Reminds Ruth Negga of a Tarot Empress

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Chase Infiniti’s Film Career Is ‘the Best Happy Accident Possible’

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The Hard Choices Public Media Institutions Are Facing Every Single Day

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Two Weeks on ‘Eyes Wide Shut’ Turned Into Four Years: Shooting Second Unit for Stanley Kubrick

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‘BLKNWS’: How a Cable News Alternative Became 2025’s Most Groundbreaking Film

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Getting on ‘A House of Dynamite’ Early Let Paul N.J. Ottosson Create a Sound Mix He Hated — Until He Loved It

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Brazil’s Film Industry Is Winning Oscars — but Losing Momentum at Home

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Behind the ‘Eyes Wide Shut’ Team’s Battle with the MPA After Stanley Kubrick’s Death — and the Moment That Scandalized the Ratings Board

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Does ‘The Beatles Anthology’ Really Need Another Encore?

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It’s Too Late for ‘Wicked’ — Will Studios Ever Give Up the Failed Two-Part Finale Model for Good?

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To Write Music for 1945 in ‘Nuremberg,’ Brian Tyler Had to Begin in 1933

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Watch How ‘Hedda’ Throws a Party

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‘Stranger Things’ Is Proof the TV Release Model Has Changed — for the Worse

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