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Features – IndieWire
indiewire.com
The Cinematography of ‘The Secret Agent’ Stays on the Move with ‘Visual Jazz’
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Jon M. Chu Wants to Burst Your Bubble: Understanding Circles in ‘Wicked: For Good’
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Todd Field on ‘Eyes Wide Shut’ and His First Meeting with Stanley Kubrick: ‘I Know Who the F**k You Are, I Hired You’
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‘Eyes Wide Shut’ DP Larry Smith on the New Criterion Transfer, Filming the Orgy, and Nicole Kidman’s Commitment to More Takes
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‘Wicked: For Good’ Needed Just Two Scenes to Feel Like It Had Any Stakes — or, Let the Goat Talk!
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Miss the Golden Age of Weird Netflix? Try ‘Frankenstein’s Monster’s Monster, Frankenstein’
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Some of the Trickiest Effects in ‘Predator: Badlands’ Have Nothing to Do with Beast Hunts
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Don’t Be Fooled — ‘Wicked: For Good’ Starts and Ends in an Ariana Grande-Obsessed Dystopia
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How ‘Rental Family’ Director Hikari Captured an ‘Epidemic of Loneliness’ with Color, Camera, and Connection
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IndieWire 2025 Gift Guide: Find a Present for the Movie and TV Lover in Your Life
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How the ‘Andor’ Team Essentially Made Four Movies at Once for Season 2
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Did Critics Burst the ‘Wicked: For Good’ Bubble? How Mixed Reviews Might Impact Its Oscar Fate
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The Best TV from November — New Shows, Great Finales, and Hidden Gems
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Will Arnett Thought He’d Never Land a Dramatic Role: ‘Why Would They?’
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Eva Victor, Mary Bronstein, Leslye Headland, and HIKARI on Secrets to Making Personal Projects at Top Companies and Studios
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What Does a Producer Actually Do? Hear from Six Top Executives Who Explain It
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‘Avatar: Fire and Ash’ Casting Director Margery Simkin Talks Importance of Great Actors in VFX-Heavy Work
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You Don’t Have to Be a Hollywood Artisan to Take Their Best Advice to Heart
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‘Hazbin Hotel’ Is Thinking About the Future
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Why Brendan Fraser’s Oscar Win Led Him to Rent a Hedgehog (and Address That ‘Mummy 4’ Report)
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« Page 27
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