Features – IndieWire indiewire.com

‘Freakier Friday’ Reminded Lindsay Lohan Why She Loves Movies — and They Love Her Back

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Ryan Murphy TV Shows, Ranked

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How Nina Gold Got Just the Right ‘Jay Kelly’ Cast Together at the Right Place and the Right Time

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How Ethan Hawke and a ‘Magic’ Crew of ‘Mavericks and Outlaws’ Made Lee Raybon a Real Legend

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For ‘After the Hunt’ Casting Director Jessica Ronane, Having Julia Roberts Already Attached Only Opened Up More Possibilities

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‘The Testament of Ann Lee’ Cinematographer Will Rexer on Crafting an Epic Historical Musical in 34 Days

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How ‘One to One: John and Yoko’ Finds the Footage John Lennon Would’ve Loved

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Rian Johnson on Why Daniel Craig Almost Wasn’t Benoit Blanc, Why He Will Never Be Recast, and the Actor He Wants Next

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The Animation of ‘In Your Dreams’ Is for Everybody, but Especially the Spielberg and ‘Sailor Moon’ Kids

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For Her Filmmaking Debut, Casting Director Heidi Levitt Found the One Actor Who Couldn’t Be Directed: Her Husband

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‘Born in the USA’: How ‘Springsteen: Deliver Me from Nowhere’ Captured Lightning in a Bottle

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Have Studio Pull Quotes Gone Overkill? — Screen Talk

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‘Nuremberg’ Uses Technology to Avoid Sounding ‘Too Hollywood’ as It Recreates the Past

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Edgar Wright on ‘The Running Man,’ or Stephen King by Way of Sam Peckinpah and Steve McQueen

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In ‘Nouvelle Vague,’ Richard Linklater Invites You to Hang Out with the French New Wave

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The Sonic High of ‘Sirāt’ — How the Boundary-Pushing Soundscape Electrifies the Senses

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Oz Perkins Needs to Break Up with Neon – Opinion

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The Best Movies New to Every Major Streaming Platform in November 2025

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‘Murdaugh: Death in the Family’ Star Jason Clarke Loved Getting Into the Head of a ‘Full-Time Narcissist’

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‘Anaconda’ Is a Better Than ‘Vertigo’: Why Hollywood Should Leave the Classics Alone and Focus on Remaking Bad Movies Instead of Good Ones

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